Posts Tagged ‘yosemite’

Unique Offer from The Ansel Adams Gallery – Photographs by William Neill

Sunday, September 11th, 2016

 

It is my pleasure to announce that The Ansel Adams Gallery is once again sponsoring a special print sale of two of my photographs, offering a 25% discount off the normal price. The two images we selected for this offer are Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California, and Autumn Sunset on El Capitan and the Merced River, Yosemite National Park, California. These two photographs have never been exhibited at a gallery or sold before. My signed, open edition 13×20 prints usually sell for $325, but during this sale, you can get one for only $243.75. Or you can purchase a 16×24 print, normally $450, for only $337.50. Most of my prints have been issued as limited-edition and are more expensive than the open-edition photographs. This is a rare chance to purchase one of my photographs at a reduced price, but the sale lasts for just six days until Sunday, September 18th at 6:00 PM Pacific time. Please visit The Ansel Adams Gallery website to purchase a print or get more details.

Making photographs is not only about the technical “capturing” of the image but also about the sensory experience with the landscape itself. Strong images can reconnect us with the experience and the people with whom we shared that time. Here are the stories behind the making of these two images.

Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California, 2014 (image above)

One October morning in 2014, I was teaching a private student in Cook’s Meadow at sunrise. As a longtime Yosemite resident, I anticipated great photographic potential there. We started out photographing with a classic view of Half Dome, but as the sun first struck the damp meadow, we raced to where the sun was rising directly behind this extraordinary elm tree. An amazing confluence of peak autumn color and morning mist unfolded before us, with sunbeams bursting through the graceful branches. Knowing that the mist would burn off soon, we worked rapidly to find a strong composition, shading our lenses from the sun using the tree’s limbs. As the sun rose higher, the beams shifted with the rising mist until they disappeared after only ten minutes. To me, this image captures a sense of hope, of “a new day shining out of the darkness.” This elm, which I’ve been photographing for 40 years, was once again a magical and wondrous sight.

 

Autumn Sunset on El Capitan and the Merced River, Yosemite National Park, California 2013

I have been photographing Yosemite and living in the area for nearly forty years. The wonders of this cathedral in stone never ceases to amaze me, especially during the changing seasons. The day I made this photograph began with pouring rain at dawn. Then by mid-morning, it began to snow leaving a white dusting on red dogwood and golden oak leaves. By noon, the storm began to clear with clouds and mist ascending off of granite cliffs. After a thrilling day of chasing this extraordinary light and weather around the valley, I started for home. The clouds looked like they were closing in, how could any more epic conditions appear after so many blessings of the day? While driving past El Capitan, I noticed a small patch of light breaking through the clouds on its cliffs. I raced down to set up my camera along the Merced River, finding these wonderful reflections and sunset colors. The incredible light lasted only a few minutes. After a day full of catching my breath in awe of such beauty, I finally, slowly exhaled with a peaceful sense of bliss.

If you have any questions, contact me by email or post below in my blog. Please click here to purchase or for more information.

 

Focus Your Fall Portfolio

Sunday, September 4th, 2016
Autumn Elm and Sunbeams, Cook's Meadow, Yosemite National Park, California, 2014

Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California, 2014

Focus Your Fall Portfolio

Below is an essay  I wrote last year for my On Landscape column published in Outdoor Photographer Magazine. I would love to hear feedback on your favorite images, and share links to any “epic day” images you wish to share!

With autumn photography approaching soon, I want to share some ideas that may help you develop an excellent portfolio for this fall season. I have found it useful, for myself and for teaching my students, to think about creating a story line, or clear thematic focus, for your work. Consider what specific locations or aspects of autumn inspire you the most. The location could be your backyard, a nearby park or reserve, or a travel location where you can spend at least a few days to explore the area fully. A favorite aspect might include colorful reflections, or the patterns of fallen leaves, or a series focused on branch-filled tapestries of color. This approach of specialization will help distinguish your autumn images from other photographers’ work.

Two key elements needed for your selection of an autumn theme are passion for the subject and easy access during the season. Passion is a must-have ingredient for creative, insightful imagery. Repeated access to your location will build your knowledge of the light, weather and seasonal changes, helping you find the best conditions for making great photographs. One idea would be to photograph the transition of autumn in your area, from the first hints of color in green trees to the last clinging leaves. This transition offers us great opportunities to communicate that visceral sense that we all feel of time moving forward.

Instead of trophy hunting for singular, spectacular scenic images, I like to explore around for quiet images, ones that don’t shout too loud. In Yosemite, for example, I often find exciting details on the forest floor, in river reflections or cliff details. I have included some examples here from last fall in Yosemite Valley. Over a two-week period in late October and early November, I worked with private students in Yosemite Valley. I enjoy the one-to-one process of helping photographers find their own vision, and share mine with them. Even though I usually focus on intimate details, that doesn’t mean I will avoid those epic, rare events where weather and/or light explode with drama and energy.

On one such dramatic morning, an amazing confluence of peak autumn color and morning mist, rising off a frosted meadow, unfolded before me and my student. We started out photographing from one excellent vantage point, then raced to where the sun was directly behind this extraordinary tree where we witnessed sunbeams bursting through the graceful branches. Knowing that the mist would burn off soon, we worked rapidly to find the best camera position for him to block the rising sun with the tree’s limbs. Even though the lens was shaded from direct sun, the high contrast and rapidly changing situation called for bracketing exposures to ensure a full range of data was captured. The end result, for both of us, were top portfolio “keepers!” The images portray the symbolism of “a new day” and “light shining through the darkness.”

Just as exciting to me were several quiet Yosemite images I photographed last fall. Quiet intensity in an image can endure and engage the viewer for longer in my opinion. With subtle imagery comes a depth that can be enjoyed more over time.


Yellow Maples, Cedar and Pine, Yosemite Valley.

When I pull together a group of photographs such as from last autumn, I edit by looking for the highest and most consistent quality, as well as looking for a balance of scale, light, weather and subject matter. I might use a wide-angle view or two to set the context of the portfolio in Yosemite Valley. However, my intimate landscapes would be my main focus, such as the river and trees reflections, or leaves floating through autumn-colored river reflections. When you see the selected images as a group such as in an exhibit or online gallery, they should create a visual story, a personal exploration, a creative viewpoint.

This fall, think about what thematic project you could develop. Selecting a title, even if you change it later, can give you additional focus for both your shooting sessions and editing. Think about what you want to say with your images. Your unique viewpoint will be better revealed, and the concept behind the photographs will heighten the portfolio’s impact.

Best wishes for great light, wondrous color and creative autumn photographs!

 

Photographs by William Neill, slideshow by PhotoShelter

Tuesday, March 17th, 2015

I have been preparing for a new advertising campaign targeted at art consultants, galleries, and collectors. In order to increase the impact of my William Neill Photography web site’s home page, I went to my PhotoShelter account and created the slideshow below.  Many new images are shown, as well as some of my classic nature photographs.

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Enjoy, and please share with friends and add your comments below. Do you have a slideshow you’d like to share? Add your links below!

See any photographs that you would like to see on your wall at home or office?

William Neill’s photographs may be viewed at these
fine art galleries:

The Ansel Adams Gallery
Yosemite National Park
On The Village Mall
Yosemite, California 95389
800-568-7398
E-mail: evan@anseladams.com

Susan Spiritus Gallery
3929 Birch Street
Newport Beach, CA 92660
949-474-4321
E-mail: susan@susanspiritusgallery.com

Mountain Light Gallery
106 S. Main Street
Bishop, CA 93514
760-873-7700
E-mail: gallery@mountainlight.com

The Weston Gallery
6th Avenue & Lincoln
P.O. Box 655
Carmel, CA 93921
831-624-4453
E-mail: info@westongallery.com

The Focus Gallery
15 Depot Court
Cohasset, MA 02025
781-383-0663
E-mail: vallinophoto@comcast.net

 

Yosemite Autumn Explorations

Wednesday, November 26th, 2014

During late October and early November, I spent seven days in Yosemite Valley working with private students.  We explored many of my favorite locations along the Merced River and in the many meadows around the Valley.

During these sessions, I worked closely with each student on refining their compositions, handling various lighting conditions and dealing with any technical issues that arose.  One of my main focuses while teaching is helping with aesthetic decisions to better enable them to express their own personal response and vision of the landscape before them.  When working one to one and side by side, I can show you my own decision-making process as I create new images. I also worked with those students interested in how I create my Impressions of Light images.

if you are interested in learning from me, see my Yosemite Private Workshops!  To see photographs by those who have attended my sessions, visit my Flickr group page which includes images from all seasons!

Below is a small portfolio from our sessions. Please let me know your thoughts in the comment section below, tell your favorite photographs, and share with friends.

To all of you who celebrate Thanksgiving Day, Happy Thanksgiving!   I am so thankful for the love of my friends and family, and the profound beauty I see in the world around me everyday.  I am also thankful for the gift of being able to share my photographs with others for the past 30 years.  Thank you for following!

Ride the Light,  Bill

 

 


Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/180 second at f/22, ISO 200
Copyright © 2014 William Neill

 


Yellow Maples, Cedar and Pine, Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1.50 second at f/16, ISO 640
Copyright © 2014 William Neill

 


Sunrise over Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/20 second at f/19, ISO 200
Copyright © 2014 William Neill

 


Cottonwoods reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/22, ISO 100
Copyright © 2014 William Neill

 


Maples Leaves and Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM +2x,
1 second at f/45, ISO 400
Copyright © 2014 William Neill

 


Grasses reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/2 second at f/22, ISO 200
Copyright © 2014 William Neill

 


Grasses and El Capitan reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/32, ISO 200
Copyright © 2014 William Neill

 


Moonrise over Half Dome and Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM +2x,
1/60 second at f/9.5, ISO 320
Copyright © 2014 William Neill

 


Grasses reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/45 second at f/19, ISO 400
Copyright © 2014 William Neill

 


Autumn Leaves and Ripples, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, TS-E90mm f/2.8,
1/250 second at f/2.8, ISO 800
Copyright © 2014 William Neill

 


Ripples, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, TS-E90mm f/2.8,
1/500 second at f/2.8, ISO 800
Copyright © 2014 William Neill

 


Grasses reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/1000 second at f/2.8, ISO 800
Copyright © 2014 William Neill

 


Grasses and reflections in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/350 second at f/2.8, ISO 200
Copyright © 2014 William Neill

 


Maple leaf reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/60 second at f/4.5, ISO 320
Copyright © 2014 William Neill

 


Yellow Maples and Granite Boulder, Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1 second at f/22, ISO 400
Copyright © 2014 William Neill

 


Thimbleberry Leaves, autumn, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
2 second at f/32, ISO 400
Copyright © 2014 William Neill

William Neill Photography from 1996

Wednesday, September 17th, 2014

We have now moved on to 1996 in Celebrating 30 Years of my business.  1995 is a hard year to top, but here we go anyway!

To read my full post, see my 7 images selected and add your comments, please visit:
http://www.williamneill.com/blog/index.php/2014/09/celebrating-30-years-1996/

The photographs here reflect my travels that year, including a spring trip to New England to work on a New England book of my landscape photography.  Sadly, the publisher pulled my contract before I could finish.  I also photographed a major assignment for Canon USA’s corporate calendar for 1997 with the theme on national parks which took me to Texas, Kentucky, Florida and Colorado besides California locations.

Enjoy, and please Share if you Like!  All photographs created with a Wista 4×5 field camera, and 4×5 inch transparency film.

#landscapephotography #nationalpark #largeformatphotography


Half Dome and Tenaya Canyon at sunset from Washburn Point, Yosemite National Park, California 1996
Copyright © 1996 William Neill

 


Mt. Dana and Mt. Gibbs reflected in the Tuolumne River at sunset, Yosemite National Park, California 1996
Copyright © 1996 William Neill

 


Kelp, MacKerricher State Beach, California, 1996
Copyright © 1996 William Neill

 


Clearing storm at dawn, Santa Rosa Island, Gulf Islands National Seashore, Florida 1996
Copyright © 1996 William Neill

 


Birches and mist, White Mountains, New Hampshire 1996
Copyright © 1996 William Neill

 


Veratrum, Granville Gulf State Park, Green Mountains, Vermont
Copyright © 1996 William Neill

 

Incense cedars with snow, Yosemite Valley, Yosemite National Park, California  1996
Copyright © 1996 William Neill