Posts Tagged ‘water’

Evening Light, Merced River, Yosemite National Park, California 2011

Thursday, July 21st, 2011

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__0.7 sec at f / 22__ISO 400

Later on the same evening that I photographed Rock and Water, Cascade Falls, Yosemite National Park, California 2011, I also spent some time along the roaring Merced River.  There is something magical about standing next to massive amounts of water thundering by so loudly that the rest of the world is drowned out.  The sky reflected beautifully in the rapids.  I made about 80 frames, playing with various shutter speeds and compositions.  I liked this version which shows the strong streaking and jumping of white water.

Enjoy!  Bill

See more of my Yosemite work, my PFD ebooks or new iPad app at my ebook store.  William Neill’s YOSEMITE: VOLUME ONE

Rock and Water, Cascade Falls, Yosemite National Park, California 2011

Thursday, July 14th, 2011

Rock and Water, Cascade Falls, Yosemite National Park, California 2011 / Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/2 sec at f / 27__ISO 320

On a recent trip to Yosemite Valley, I spent some time photographing waterfalls.  The water levels are still very high for this time of year, but they are down quite a bit from the highest levels earlier this spring.  I had been stuck in my office for far too long, working for about two weeks straight catching up with orders.  I desperately needed this water therapy!

I had the idea of finding some water details and abstracts here at Cascade Falls.  I wanted to see what variations I might come up with like the detail shown below using a fast shutter speed made in 2005.  I worked with bright sunlight again but doubted I had any worthwhile images, so I did my errands and came back in the evening.

These two image are of the same section of the falls, the smaller 2005 image being a detail within the area of the larger image along the center left edge.  One of the reasons for showing this is to show how vastly different two interpretations can be.  I also want to mention how much I photographed in both these sessions.  My long time friend of 27 years, Michael Frye, posted an excellent comment recently about how many frames he made to find the best combo of texture and pattern in his waterfall image: Why Am I Taking Forty Frames of the Same Thing? It happens that his photograph was of this section of waterfalls on Cascade Creek, but of Lower Cascades Falls just over the cliff from where I made these frames.  He made a critical point about why he makes many variations of one composition, with the same camera settings, to find one frame that stood out above the rest.  Even with the same shutter speed, each of 40 frames was different.  Doing the work paid off for Michael, and it will for you too.

I use the same approach, especially with photographs showing moving water.  Not only do I make many frames with the same settings, I also “bracket” my shutter speeds.  I have been photographing moving water for a long time, but I am never quite sure which shutter speed will give the best effect for a given scene.  I watch the water carefully, looking for prime moments of action, like especially high leaps of spray.  I make a burst of frames, and when I think I’ve caught a good moment, I’ll move on to another shutter speed.  For the Rock and Water image here, I made around 100 frames total using about 6-7 shutter speeds.  When editing my images from this one day, I had 450 frames made at several locations.  For each composition, I had to view each frame, with Lightroom’s Compare View tool, to slowly edit down to the best expression of what I saw and felt.  Each exposure had subtle differences.  The larger image was made with a 1/2 sec exposure, the 2005 image at 1/1000.  My point is that it takes this kind of extra effort to push one’s work to the next level.

One final note: I have made a great effort to avoid photographing icons and cliches in Yosemite for the past 34 years.  When I made this recent image, I was aware that this rock and waterfall combo had been photographed before.  As when photographing Half Dome, I could only hope to add my own creative take to a common subject like Cascade Falls.  Whether or not I have succeeded , I do not know.  In any case, I had a great time in my favorite sanctuary – Yosemite.  Let me know your thoughts, and enjoy!

To see more of my Yosemite work, check out my PFD ebook or new iPad app!  William Neill’s YOSEMITE:

Cascades Falls, 2005

Roots and Rocks, Merced River at Happy Isles, Yosemite National Park, California 2011

Wednesday, June 29th, 2011

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__2.0 sec at f / 19__ISO 100

I have been very overwhelmed with work and thus have a large backlog of images to process.  I made this image last month at Happy Isle in Yosemite, which is an amazing place anytime but especially during high water.  This subtle image is part of my ongoing efforts to reveal the Inner Yosemite!  I hope you enjoy it and also hope to post more new work soon.

New App – William Neill’s Yosemite Volume One

Raising the bar…

Monday, June 14th, 2010

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__2.0 sec at f / 32__ISO 100

Life is full of lessons.  When I went to Yosemite Valley a few weeks ago, as with every spring for 33 years, I tried to create a new dogwood images.  I always gravitate to the same tree where I have made my best dogwood images.  I call it my Home Tree.  I tried a few frames of this tree again, but realized that my past images were better.  So I moved on.  Upriver, near Pohono Bridge, I worked along the river bank, looking for a “dogwood and river rapids” image.  Here is one I made in 1988, but this season at this same location, the dogwood were too sparse:  Dogwoods on the Merced River, Yosemite Valley, Yosemite National Park, California 1988.  Again, I tried a few frames anyway then headed upstream to another location where I have rarely photographed.  Unfortunately, I was running short on time since I needed to meet up with my 9 year old son Ravi’s Yosemite field trip group.  The first composition I tried was the one below.  The branches were graceful and full of blossoms.  The wind was light and there was little movement in the branches.  The water was high so the river was mostly dark with a few curving breaks of whitewater.  I am pleased with the image, but it is not up there with my best.

Finally, I spotted a dogwood tree next to the river that had a broken branch dangling in the rapid water.  The blossoms danced to the movement of the river like so many dancing fairies.  My first instinct was to use a fast shutter speed, so that the dogwood would be sharp.  Even if I could freeze the action of the tree, the river rapids would look stiff and unnatural.  So I turned my aperture down to f/32 to see what kind of impressionistic effect I could capture by allowing the blossoms to dance their dance and for the river to blur softly in the background.  Since only parts of the whole branches were being shaken by the strongly flowing river, this image has an intriguing blend of sharpness and softness.  I feel that the BW treatment adds to the delicate effect.

Lesson:  I find it important to visit locations where I feel at home.  In this case, it was my dogwood Home Tree, and in general, the stretch of dogwood trees below Pohono Bridge.  But in order to continue my own creative growth, and to raise the bar on my work, I needs to push myself to seek new views, new angles.  Each time I hope to better my best!

Let me know your thoughts about these two images.

Cheers,   Bill

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/3 sec at f / 32__ISO 200

Yosemite Waterfalls

Monday, May 17th, 2010

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1.5 sec at f / 13__ISO 100

I am posting one of the waterfall photographs that I took on Mother’s Day in Yosemite.  It was raining as I photographed.  Using my Tilt Shift lens, I exposed three frames that I later stitched together using Photoshop CS5.  You might also enjoy seeing other panos in my Panoramic Portfolio on my web site.

This weekend, I photographed my irises and fields of lupine.  Hope to post some of them soon!



The Store

Sunrise, Scripps Pier

Thursday, April 15th, 2010

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__10.0 sec at f / 32__ISO 100

Here is another pier photograph from La Jolla.  This was my first session photographing the pier, and my previous post was taken at sunset on the same day.  For this image, I used my Singh Ray Vari-ND filter to extend the length of the exposure.  I waited for a wave to wash up near my tripod, and then watched for the reflection to develop as the surf pulled back.

Let me know your thoughts on this image, and which Scripts Pier image you like the best.  I prefer the sunset image, but still love them both!

Cheers,   Bill

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Stones and Reflections

Monday, February 1st, 2010

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__2.0 sec at f / 13__ISO 100

I made this image yesterday on my patio.  The water reflects my ochre-colored wall.  I have been watching the light for when the stones and water were in shadow but the wall remained lit.  I was trying to find a good composition with a single frame but it wasn’t working.  So, used the shift function of my Tilt Shift lens as well as the forward tilt for increased depth of field.  I made one exposure with the shift all the way to the left, and then “shifted” the lens all the way to the right while making sure I had enough overlap for PhotoMerge in PS4 to create the pano.  I selected the best two images in Lightroom, then used LR’s Photo menu to “send” the two files to PS4 for merging.

BTW, I used my Canon TS-E90mm f/2.8 for this image, combined with my Canon 2X Extender to create a 180mm TS lens!

Enjoy,  Bill

William Neill Portfolios

Welcome to my new PhotoBlog!

Wednesday, August 26th, 2009
Lily Pads

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1/3 sec at f / 13__ISO 200

As you can see, my new photoblog is up and running!

The blog now matches/blends in with the new web design.  My goals are the same –  to share my thoughts on landscape and nature photography in general, as well as sharing information specific to my own photography.  I will continue to include links to the work by other photographers I find inspiring, plus products and resources that I find useful.

Please update your bookmarks, RSS feeds, etc.

New Photoblog address:

The photo included was made in my backyard pond.  When I noticed the pattern that the pads form, I visualized a B&W photo.  This was unusual for me, but since John and I developed the Meditations in Monochrome ebook, I am “seeing” in B&W more often.  I also made dozens of color frames on Saturday and Sunday.  Sunday was especially good since it rained here!

I look forward to your comments and feedback.

Be sure to “follow” me on Facebook, LinkedIn or Twitter too!