Posts Tagged ‘photography’

Open Studio Tour coming soon! Sierra Art Trails – October 5, 6 and 7!

Thursday, August 16th, 2018

The photo above shows what my living room looks like during Sierra Art Trails.

We are very pleased to announce that we will be open again for Sierra Art Trails 2018, which is celebrating 16 years of supporting the Arts in the Yosemite Foothills! Mark your calendar for Friday, Saturday6 PM and Sunday, October 5th, 6th and 7th from 10 AM to 6PM. My home studio will be full of my fine art prints, books, and posters. Come visit me, and you can also visit Yosemite while in the area!

NEW BOOK

Featured this year will be my new retrospective William Neill – Photographer, a Retrospective. The first printing is now in limited supply so consider coming to my studio for your own signed copy. To learn more about the book, to read what “others are saying” see here:

 

Book Reviews
TERRA GALLERIA BOOK REVIEW
ON LANDSCAPE BOOK REVIEW
LANDSCAPE PHOTOGRAPHY MAGAZINE BOOK REVIEW
THE ONLINE PHOTOGRAPHER

Book Essays
THE LUMINOUS LANDSCAPE
OUTDOOR PHOTOGRAPHER


INVENTORY SALE!

Once each year, I offer discounts on a large number of prints in inventory.  The good news is that I have so many photographs, but not enough space in my office, so CLEARANCE is the key word!

I hope to see many old friends and meet new ones too!  Let me know if you think you can make it, and ask any questions if you have them. Also, please share this with friends who you think might be interested. Thanks!

See the official website for more details.
http://www.sierraarttrails.org/index.html

Cheers,  Bill

The cost of admission is $20.00 for all participating venues and includes the Sierra Art Trails Catalog, your “ticket for two” for the event. The catalog includes a list of participating artists, examples of their work, and maps to the locations of artists’ studios, galleries, and other viewing locations.  Artists are scattered throughout our mountain communities. Your catalog and map will guide you to each artist’s venue.

See the official website for more details.
http://www.sierraarttrails.org/index.html

Special Print Offer from The Ansel Adams Gallery

Sunday, May 13th, 2018

It is my pleasure to announce that The Ansel Adams Gallery is once again sponsoring a special print sale of two of my photographs, offering a 25% discount off the normal price.

Visit The Ansel Adams Gallery for more info or to purchase a print.

Clearing Storm at Dawn, Yosemite National Park, California 2013

Although I generally prefer creating intimate landscape images, when presented with the classic grandeur of this scene with such epic weather and light, I naturally couldn’t resist trying to capture it. Starting before dawn, I photographed two hours of spectacular lighting and swirling clouds and felt blessed to have witnessed it!


Dogwood Blossoms and Merced River, Yosemite National Park, California 2013

I have been photographing the dogwood of Yosemite Valley for 40 years. My favorite locations are along the Merced River where their branches hang gracefully over the rushing water. I love how these branches form a tapestry effect above the river’s rushing spring runoff.

 

From The Ansel Adams Gallery:
“From time to time on our website, we are thrilled to offer collectors, friends and fellow art lovers, a chance to purchase two never-before-printed images by one of our distinguished Gallery artists at a discounted price, prior to its availability within the general market place.

This month, in celebration of spring in Yosemite, we are offering two complementary images from William Neill: “Dogwood Tapestry, ” and “Clearing Spring Storm.”  While Bill’s original prints normally sell in these sizes up to $450, you can now add one to your private collection for 25% off the initial retail price.  Each photograph is made by Mr. Neill in his studio, printed to current archival standards, signed, as well as mounted, matted and ready for framing.  The time to purchase will begin at 9:00 AM Pacific Time on Monday, May 14th and will expire upon the close of business, Sunday, May 20th at 6:00 PM. Once the offer has expired, we anticipate an order fulfillment time of approximately four to six weeks to ensure the quality of each individual order.  This inaugural printing offer is available for a very limited time, after which, the print will return to full price.  

Email our curator, Evan Russel, at evan@anseladams.com if you have any additional questions about the prints or shipping.”

The Fine Art of Nature for the Holidays

Sunday, November 26th, 2017

Greeting from Yosemite! It is that time of year when we start shopping for holiday gifts. I’ve provided you with a list of options that feature my photography. I hope that the holiday season is a happy and healthy one for you.

Happy Holidays,  Bill

____________________________________________

On the Williams Sonoma online store, my photograph “California Nautilus Shell” is available. At the moment, the price of this large archival photograph is seriously discounted.

Exclusively From Williams Sonoma:
CLICK TO PURCHASE

  • 50.25″L x 1″W x 28.75″H, overall.
  • Giclée print signed by the photographer.
  • Set behind Plexiglas and double-thick beveled mats.
  • Wood frame has a painted, high-gloss finish.
  • Ready to hang with D-rings at the back.

_________________________________________________

On the Artful Home, my print “Agave” is available. For details, CLICK HERE. The photograph is handprinted by me here in my studio.

Image Dimensions:  16″H, 20″W
Overall Dimensions:  22″H, 24″W

 

________________________________________________________

 

Original photographs are the highest representation of my art. For pricing information, please contact one of the galleries listed on my Gallery Representation page. Each gallery’s link below features a variety of prints from large format color landscapes to my Impressions of Light series.

The Ansel Adams Gallery
800-568-7398
E-mail: evan@anseladams.com

Susan Spiritus Gallery
714-754-1286
E-mail: susan@susanspiritusgallery.com

The Weston Gallery
831-624-4453
E-mail: info@westongallery.com

The Focus Gallery
781-383-0663
E-mail: vallinophoto@comcast.net

Paragone Gallery
Francie Kelley
310-659-0607
Email: mail@paragonegallery.com

My First Essay for Outdoor Photographer in 1997

Sunday, April 2nd, 2017

 

Dawn, Lake Louise, Banff National Park, Canada 1995

 

NOTE: This article is reposted from the original essay in 2012…

Today, I had a request from my long-time friend and master photographer Michael Frye to post the essay in which I tell the story of making my favorite image, Dawn, Lake Louise, Banff National Park, Canada 1995. Here it is as sent to Outdoor Photographer for first my On Landscape column in 1997.  For more of my essays, see the OP site here.  Michael is mentioning this story is his upcoming blog post:   In the Moment: A Landscape Photography Blog

 

Landscapes for my Spirit
© 1997 William Neill

 

Welcome to Outdoor Photographer’s new column on landscape photography!  I look forward to sharing my thoughts with you on all aspects of the landscape genre.  I have been an avid reader of OP since its beginning and I hope that I can contribute to all the exciting ideas and images that are regularly offered here.

The best way that I can think of to launch this column is to put forth the underlying motivation and inspiration for my photography. Any future discussions on light, or composition, or equipment, or technique will be based on this foundation.  I am not one for learning an approach to creating images unless that route allows for a direct connection with the subject and helps me to communicate my own response to it.  In other words, I keep my approach very simple and pragmatic.  We, photographers as a group, tend to let the technique of photography get in the way.  Ansel Adams often complained of the overabundance of sharp photos with fuzzy concepts!

The beauty of nature is the foundation of which I speak; it motivates and inspires my photography.  When I stand before landscapes of silent rock, reflecting water, and parting cloud, I feel most connected to myself and to life itself.  Seeing and feeling this beauty is more vital to me than any resulting imagery.  Still, I am compelled to try to put on film some visual representation of the sense of wonder I feel, and I suspect that you know that feeling!

In my new book, Landscapes of the Spirit, I describe my evolution as a photographer, especially emphasizing my belief in the great value and need for the wildness and beauty of nature.  This belief emerged from personal experience— a death in my family when I was eighteen.  That summer I happened to be working in Glacier National Park.  My immersion in that landscape during a time of great personal distress opened my eyes to the restorative powers of nature, and led me to a life in photography.  At some deep level, the beauty of my surroundings seeped into my subconscious—the lush colors of a meadow dense with wildflowers, the energy of a lightning storm, the clarity of a mountain lake, the splendid perspective from the edge of a desert canyon.  In an effort to capture and convey these life-affirming discoveries, I began to photograph as I backpacked throughout Glacier.  Within a few years, all I wanted to do was make photographs!

Ansel Adams, in paraphrasing his mentor Alfred Stieglitz, used to remind his students that a great photograph was the emotional equivalent of the photographer’s response to his subject.  Such a lofty goal is rarely achieved.  We are all lucky if but two or three or four times a year we make an image where technique and emotion converge to create a transcendent photograph.  I don’t mean simply a technically excellent and beautiful image.  I mean a photograph that rises above your best and reveals a deeply personal and creative perspective.  In this regard, I am not so sure that pros can claim to have a better “batting average” than the amateur given their relatively different expectations of their work.  In any case, it is good to have reasonable expectations for your own progress.

Over the years, I have continued to search for imagery that, in the words of the great black and white photographer Paul Caponigro, can”… make visible the overtones of that dimension [of Nature] I sought. Dreamlike, these isolated images maintain a landscape of their own, produced through the agency of a place apart from myself. Mysteriously, and most often when I was not conscious of control, that magical and subtle force crept somehow into the image, offering back what I had sensed as well as what I saw.” I think that the photograph here, Dawn, Lake Louise, Banff National Park, Canada, 1995, is one of those photographs Caponigro describes.  Rising very early on a summer morning, I hoped for a dramatic and brilliant sunrise on Lake Louise and the glaciers above.  Perhaps it was the two weeks of photographing in rainy conditions that biased my hopes!  I waited patiently for sunrise, but my preconceived vision failed to appear as persistent clouds shrouded the mountains. It was a silent and mysterious dawn.  I simply sat and soaked in the scene.  Finally, I made two exposures, but expected little. I completely forgot about this session during the rest of my trip.  When I saw the film after returning, I was amazed.  I had to think hard about when and where I had made this photograph.  Unconsciously, but facilitated by my experience and instinct, the power and magic of that landscape, at that moment, had come through on film.

The Lake Louise photograph was made with my 4×5 view camera and a 150mm lens.  Due to the use of slow film, small aperture and low light, the exposure was about two minutes long.  Of the two exposures I made, one was horizontal, the other vertical.  The horizontal image looks much like the vertical, minus the rocks in the foreground.  I often like to remove clues and context that show depth or scale in my images, and the horizontal exposure fit my standard approach.  However, the vertical image has a stronger feeling of depth and somehow this subtle sense of scale adds an essential dimension to the composition.  Since the foreground rocks are underwater, and the long exposure also blurred their appearance, they add a little balance and mystery.

 

I had an idea of what I wanted to photograph at Lake Louise that morning, but when it did not materialize, I didn’t feel as if I had to make an image.  The landscape itself presented another idea.  When a concept for an image is forced onto film, creativity can be lost.  By not needing to make an image, I found one.  This lesson is encapsulated by my favorite quote from photographer Minor White,

Be still with yourself until the object of your attention affirms your presence.

So wait, watch and relax!    It is these magical convergences of light and land and camera that keep us coming back again and again!

Yosemite Autumn Explorations

Wednesday, November 26th, 2014

During late October and early November, I spent seven days in Yosemite Valley working with private students.  We explored many of my favorite locations along the Merced River and in the many meadows around the Valley.

During these sessions, I worked closely with each student on refining their compositions, handling various lighting conditions and dealing with any technical issues that arose.  One of my main focuses while teaching is helping with aesthetic decisions to better enable them to express their own personal response and vision of the landscape before them.  When working one to one and side by side, I can show you my own decision-making process as I create new images. I also worked with those students interested in how I create my Impressions of Light images.

if you are interested in learning from me, see my Yosemite Private Workshops!  To see photographs by those who have attended my sessions, visit my Flickr group page which includes images from all seasons!

Below is a small portfolio from our sessions. Please let me know your thoughts in the comment section below, tell your favorite photographs, and share with friends.

To all of you who celebrate Thanksgiving Day, Happy Thanksgiving!   I am so thankful for the love of my friends and family, and the profound beauty I see in the world around me everyday.  I am also thankful for the gift of being able to share my photographs with others for the past 30 years.  Thank you for following!

Ride the Light,  Bill

 

 


Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/180 second at f/22, ISO 200
Copyright © 2014 William Neill

 


Yellow Maples, Cedar and Pine, Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1.50 second at f/16, ISO 640
Copyright © 2014 William Neill

 


Sunrise over Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/20 second at f/19, ISO 200
Copyright © 2014 William Neill

 


Cottonwoods reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/22, ISO 100
Copyright © 2014 William Neill

 


Maples Leaves and Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM +2x,
1 second at f/45, ISO 400
Copyright © 2014 William Neill

 


Grasses reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/2 second at f/22, ISO 200
Copyright © 2014 William Neill

 


Grasses and El Capitan reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/32, ISO 200
Copyright © 2014 William Neill

 


Moonrise over Half Dome and Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM +2x,
1/60 second at f/9.5, ISO 320
Copyright © 2014 William Neill

 


Grasses reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/45 second at f/19, ISO 400
Copyright © 2014 William Neill

 


Autumn Leaves and Ripples, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, TS-E90mm f/2.8,
1/250 second at f/2.8, ISO 800
Copyright © 2014 William Neill

 


Ripples, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, TS-E90mm f/2.8,
1/500 second at f/2.8, ISO 800
Copyright © 2014 William Neill

 


Grasses reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/1000 second at f/2.8, ISO 800
Copyright © 2014 William Neill

 


Grasses and reflections in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/350 second at f/2.8, ISO 200
Copyright © 2014 William Neill

 


Maple leaf reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/60 second at f/4.5, ISO 320
Copyright © 2014 William Neill

 


Yellow Maples and Granite Boulder, Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1 second at f/22, ISO 400
Copyright © 2014 William Neill

 


Thimbleberry Leaves, autumn, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
2 second at f/32, ISO 400
Copyright © 2014 William Neill