To see my collection of images from 2010, see My Favorite Images of 2010.

Please tell me which photographs of mine from 2011 are your favorites.  It is always interesting to hear this feedback, so select your fav 3-5 images and tell me why you like them!

Thanks, and best wishes for a happy and healthy New Year.

Bill

Winter Fog and Oaks, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/6.7, ISO 100
Copyright © 2011 William Neill

Calla Leaves, Ahwanhee, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1.5000005191107″ second at f/22, ISO 100
Copyright © 2011 William Neill

White Orchid, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, EF50mm f/2.5 Compact Macro,
1/20 second at f/2.5, ISO 100
Copyright © 2011 William Neill

Clearing storm, Foothills of the Sierra Nevada, Madera County, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/3 second at f/8, ISO 100
Copyright © 2011 William Neill

Foothills and Winter Storm,Table Mountain,California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/6.7, ISO 100
Copyright © 2011 William Neill

Almond Trees Blooming, Kern County, California  2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/2 second at f/8, ISO 100
Copyright © 2011 William Neill

Almond Trees in Bloom, Kern County, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/9.5, ISO 100
Copyright © 2011 William Neill

Buckeye, Foothills of the Sierra Nevada, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/3 second at f/19, ISO 200
Copyright © 2011 William Neill

Pear Blossoms, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/4.5, ISO 100
Copyright © 2011 William Neill

Pathway and Pear Blossoms, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/9.5, ISO 100
Copyright © 2011 William Neill

Plum Blossoms and snow, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/2 second at f/22, ISO 100
Copyright © 2011 William Neill

Pond and Fog, Coarsegold,, California 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/10 second at f/22, ISO 100
Copyright © 2011 William Neill

Buckeye and Oaks, Foothills of the Sierra Nevada, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/16, ISO 100
Copyright © 2011 William Neill

Morning Mist and Pines, Foothills of the Sierra Nevada, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/250 second at f/16, ISO 100
Copyright © 2011 William Neill

Spring Oak, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
HDR at f/16, ISO 160
Copyright © 2011 William Neill

Roots and Rocks, Merced River at Happy Isles, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
2″ second at f/19, ISO 100
Copyright © 2011 William Neill

Dogwood blossoms and the Merced River, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
3.0000010382213″ second at f/32, ISO 400
Copyright © 2011 William Neill

Hosta Leaves, Kitchener, Ontario, Canada 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/15 second at f/16, ISO 400
Copyright © 2011 William Neill

Pine and Waterfall, Tioga Road, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/16, ISO 100
Copyright © 2011 William Neill

Rock, Water and Tree, Cascade Falls, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/2 second at f/27, ISO 320
Copyright © 2011 William Neill

Evening Light, Merced River, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/22, ISO 400
Copyright © 2011 William Neill

Flower Impressions, Pier 39, San Francisco, California 2011
Apple iPhone 3GS,
2″ second
Copyright © 2011 William Neill

Waterfall in Morning Light, Sierra Nevada Foothills, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/9.5, ISO 200
Copyright © 2011 William Neill

Waterfall and Sunbeam, Sierra Nevada Foothills, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1.5 second at f/27, ISO 200
Copyright © 2011 William Neill

Sunbeam on waterfall, Sierra Nevada Foothills, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
2″ second at f/16, ISO 200
Copyright © 2011 William Neill

Late Summer Meadow, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/8 second at f/13, ISO 320
Copyright © 2011 William Neill

Maple Leaf, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, EF50mm f/2.5 Compact Macro,
1″ second at f/32, ISO 200
Copyright © 2011 William Neill

Autumn forest and slickrock wall, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/1 second at f/16, ISO 400
Copyright © 2011 William Neill

Reflections, Virgin River, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/8 second at f/19, ISO 400
Copyright © 2011 William Neill

Virgin River Reflections, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/4 second at f/19, ISO 100
Copyright © 2011 William Neill

River of Light, Virgin River in the Narrows, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
second atf/16, ISO 100
Copyright © 2011 William Neill

Sandstone Sculpture, Arizona 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
3.0000010382213″ second at f/19, ISO 200
Copyright © 2011 William Neill

Canyon Sculpture, Arizona 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
1.5000005191107″ second at f/16, ISO 200
Copyright © 2011 William Neill

Slot Canyon Sculpture, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1.5000005191107″ second at f/22, ISO 200
Copyright © 2011 William Neill

Hoodoo, Stud Horse Point, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/2 second at f/22, ISO 100
Copyright © 2011 William Neill

Eroded Rock, Stud Horse Point, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1″ second at f/19, ISO 100
Copyright © 2011 William Neill

Rocks, Stud Horse Point, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
3.0000010382213″ second at f/19, ISO 100
Copyright © 2011 William Neill

Morning Fog and Oaks, Ahwanhnee, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
second atf/19, ISO 100
Copyright © 2011 William Neill

Sandhill Cranes landing at sunset, Consumnes River Preserve, California 2011
Canon EOS-1Ds Mark III, EF300mm f/4L USM +2.0x,
1/250 second at f/8, ISO 1250
Copyright © 2011 William Neill

Yellow Orchids, 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
2″ second at f/22, ISO 100
Copyright © 2011 William Neill

Canon EOS-1Ds Mark III__EF16-35mm f/2.8L II USM___ISO 100

During my recent trip to Zion, I met up with my friend and former assistant John O’Connor to take a hike up the Narrows of the Virgin River.  We were so caught up with making images of all the wonderful reflections and other canyon details, we didn’t get very far, not even to the Orderville Canyon fork.  Oh well, next time!  Just when we decided to head back down river, I stopped dead in my tracks, in the middle of the river, when I saw these wonderful rapids and reflections.  This image was created with Nik HDR Efex Pro, using five exposures that were each one stop apart.

This river hike reminds of many years ago when I hiked down the Paria River, not photographing much walking downstream.  When turning the opposite direction, I started seeing photographs everywhere!  By the time, I came out of the canyon, it was pitch dark.  It took me about half an hour to find the trailhead parking area.  The image below, made with my 4×5 camera in 1985, became one of my first posters published in the late 1980s, and one of my best-selling fine art prints sold throughout the country by The Nature Company.

Reflections, Paria River, Paria Canyon/Vermillion Cliffs Wilderness Area, Utah 1985

Both photographs were made while standing in the cold rapids.  I used a longer exposure in the 1985 image, and so the reflections are smoothed over like a watercolor wash.  I cropped out the sunlit cliffs above each frame to avoid the extreme contrast and simplify the composition.  The results in both photos focus the viewer on the colors and textures in the river’s water.

I have many more new images to polish up in post-processing, so stay tuned for more from my southwest trip. Next up, slot canyons!

Enjoy, William Neill

______________________________________________

Finally, I am excited to announce my new Affiliate Program for my ebook series!  If you review the ebook or place the affiliate link in your blog or website, you will receive 30% of the sales that you send our way.  We are just starting up this program, but I wanted you to know right at the beginning. I hope to have a new ebook or two ready to launch in the next fews months, and having the Affiliate program should help launch the sales!  Click here for more details.  Thanks for supporting my photography!

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1/30 sec at f / 22__ISO 200

Practice, practice…

I’ve been very frustrated lately because I haven’t been able to get out of the office and up to Yosemite for waterfalls, reflections in the meadow, corn lilies in the high country.  Fortunately, my water lilies are in bloom and I check them out every day.  We had an amazing rain storm Tuesday night and the next morning, and so I took a lunch break on my patio.  My water lilies had been washed clean and were gleaming with water drops.  I used my trusty 90mm Tilt Shift lens, making two frames to merge into this square composition using Photo Merge in Photoshop CS5.  The storm was starting to clear, with the sun on the edge of a cloud which gives this image a fresh and sparkling mood.

So when I finally get up to Yosemite Valley next week, I’ll have had recent practice.  Practice seeing every day, get your camera out whenever and wherever you get inspired, and be ready for the next opportunity.  Oh yes, and it might just happen in your back yard!

Enjoy,  Bill

William Neill’s Yosemite Volume One

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__2.0 sec at f / 19__ISO 100

I have been very overwhelmed with work and thus have a large backlog of images to process.  I made this image last month at Happy Isle in Yosemite, which is an amazing place anytime but especially during high water.  This subtle image is part of my ongoing efforts to reveal the Inner Yosemite!  I hope you enjoy it and also hope to post more new work soon.

New App – William Neill’s Yosemite Volume One

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__3.0 sec at f / 32__ISO 400

Here is my favorite image from  Saturday May 7th in Yosemite. The dogwood were beautiful, and I had a blast! More to come!  I posted this image on FB earlier but loaded the wrong jpg.

Enjoy, and please give me your feedback!  Bill

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1.5 sec at f / 22__ISO 100

For the past couple of months, I have been watching this calla plant growing in my living/dining room area.  The light comes through two different windows to light the leaves to various effect.  This past Sunday, I finally saw a composition worth setting up for.  I hung up my black piece of velvet on the wall behind these leaves.  I left my camera set up and made frames when I saw interesting light. I downloaded the images, looked at the new images, and was not particularly inspired by the results.

Yesterday, four days later, I looked at the images again with Lightroom.  Then it hit me that there was real potential here, made several adjustments to this image, including converting the image to BW.  Bingo!  I polished up the file this morning in Photoshop this morning.  Here is the result!

Enjoy,  Bill

For more of my BW work, see my Meditations in Monochrome ebook!

Please let me know which ones are your favs!  Thanks to all of you who have followed my ongoing adventures in creative photography.

Happy New Year,  Bill

Salsify Seeds, 2010

Ice, Ahwahnee, California 2010

Stones and reflections, Ahwahnee, California 2010

Valley Oak and fog, Ahwahnee, California 2010

Valley Oaks and fog at sunrise, Ahwahnee, California 2010

Plum Blossom, Ahwahnee, California 2010

Plum Blossom #2, Ahwahnee, California 2010

Sunrise at Scripps Pier, La Jolla, California 2010

Twilight, Scripps Pier, La Jolla, California 2010

Twilight at Scripps Pier, La Jolla, California 2010

Three Calla Lilies, Ahwahnee, California 2010

Two Calla Lilies, Ahwahnee, California 2010

Dogwood Branches over the Merced River, Yosemite National Park, 2010

Dogwood Branch, Merced River, Yosemite National Park, 2010

Lily, Ahwahnee, California 2010

Pier Pilings and Fog, Coquille River, Bandon, Oregon 2010

Pier Pilings in the Coquille River, Bandon, Oregon 2010

Pier Pilings, Coquille River, Bandon, Oregon 2010

Rock formation and driftwood, Bandon, Oregon 2010

Two Lilies, Ahwahnee, California 2010

Sunflower Impression, Ahwahnee, California 2010

Sunflower, Ahwahnee, California 2010

Four Oaks, Coarsegold, California 2010

Sunbeams and Forest, Sierra Nevada Foothills, California 2010

Grasses and Raindrops, Siesta Lake, Yosemite National Park, California 2010

Aspen, Conway Summit, California 2010

Aspen and Sierra Nevada Mountains, Conway Summit, California 2010

Sunrise Storm Clouds, Mono Lake Tufa State Natural Reserve, California 2010

Pinecones, Mono Lake Tufa
State Natural Reserve, California 2010

Sunrise surf, Carmel, California 2010

Rocks and Surf, Carmel, California 2010

Rock Formations and surf, Pt. Lobos State Reserve, California 2010

Winter Hills, Diablo Mountains, Pacheco Pass, California 2010

Cows and Winter Hills, Diablo Mountains, Pacheco Pass, California 2010

Autumn oak and snowstorm, Ahwahnee, California 2010

Oaks in autumn snowstorm, Ahwahnee, California 2010

Autumn oaks and snowflakes, Ahwahnee, California 2010

Calla Leaf, Ahwahnee, California 2010

Pine forest in fog, Ahwahnee, California 2010

Oak forest in fog, Ahwahnee, California 2010

William Neill's Yosemite: Volume One

I am pleased to announce the publication of my latest ebook, William Neill’s Yosemite: Volume One. I have compiled 52 of my favorite images created using film cameras. The majority of the photographs were made with my 4×5 view camera, and the exposure dates range from 1977 to 2005. I have lived and photographed in the Yosemite area since 1977, and so it is rewarding to have finally produced a portfolio of my favorite images. The book was designed in Adobe InDesign with file sizes that have been optimized to preserve the high-resolution image files. The quality of the images vividly comes to life on the computer monitor and you can zoom in closely to examine details within each photograph.

William Neill’s Yosemite: Volume One is delivered as a PDF file. Each image is presented on a single page, and so is optimized for viewing the individual images clearly. When you click on each image, you will be taken to a secondary Photo Notes page that includes camera and lens info, my commentary on the making of each photograph, as well as notes on the location of where each image was made. The ebook also offers interaction between each image and the Photo Notes section at the back of the book. When viewing the Photographic Notes, simply click on the photograph’s thumbnail, and you are linked back to that image in the PDF.

Half Dome and Elm tree, winter, Yosemite National Park, California 1990

My new ebook can be easily viewed on an Apple iPad, iPod, iPhone or any other device that can view PDF’s using an excellent app called Good Reader. I have seen my ebooks on an iPad, and the quality of each image and text is excellent.

To purchase this Digital Edition book, visit my ebook store here:  William Neill’s Yosemite: Volume One.

Half Dome and Tenaya Canyon at sunset from Washburn Point, Yosemite National Park, California 1996

Black Oaks, Autumn, El Capitan Meadow, Yosemite Valley, Yosemite National Park, California 1984

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__10.0 sec at f / 32__ISO 100

Last week, I traveled with my family on a camping trip to the Bandon area of the Oregon coast.  It was cold and windy, which not unusual and a refreshing break from the heat here.  If you’ve been to my Facebook page, I’ve already posted a very foggy image from the first evening there.  The next two evenings, I was on the main Bandon beach, photographing in the wind and fog.  Heaven!

For the image above, I used a Singh Ray Vari-ND to get more blurring action.  There were some subtle tones in the sky, but the monochrome evening lent itself to Black and White. John O’Conner did a wonderful job of doing the conversion and bringing out the textures in the surf and rocks that I wanted to show.

In case you missed it, here is the image from the first session.  More to come from this trip!

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__15.0 sec at f / 32__ISO 100

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__6.0 sec at f / 22__ISO 100

I have a small pond adjacent to my backyard patio, and the lilies are in bloom!  I made this image on Sunday, using two frames stitched together in Photoshop CS5.  To fulfill my concept, I cut the flower, then placed it in a small bowl of water which in turn was placed on black velvet.  Aiming straight down, I “shifted” my Canon TS 90mm lens to include two halves of the flower in two separate exposures.  This techniques allows me to create a square format with Photomerge, which suits this flower shape to me.  It also gives me a bigger file:  PS Image Size reads this file as 206 MB.

Enjoy, and let me know your thoughts,   Bill

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