Enjoy!  Bill

Oaks and Fog, Ahwahnee Hills Regional Park, Ahwahnee, California 2012
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/125 second at f/16, ISO 100
Copyright © 2012 William Neill

Other Morning Light images:

Late Summer Meadow, Ahwahnee, California 2011

Spring Oak, Coarsegold, California 2011

Buckeye, Foothills of the Sierra Nevada, California 2011

Sunbeams and Forest, Sierra Nevada Foothills, California 2010

Autumn oak and snowstorm, Ahwahnee, California 2010

Waterfall and Sunbeam, Sierra Nevada Foothills, California 2011

Morning Fog and Oaks, Ahwanhnee, California 2011

Sandpiper at sunrise, Santa Monica State Beach, California 2012
Copyright © 2012 William Neill
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM, 1/4 second at f/13, ISO 100

To see my collection of images from 2010, see My Favorite Images of 2010.

Please tell me which photographs of mine from 2011 are your favorites.  It is always interesting to hear this feedback, so select your fav 3-5 images and tell me why you like them!

Thanks, and best wishes for a happy and healthy New Year.

Bill

Winter Fog and Oaks, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/6.7, ISO 100
Copyright © 2011 William Neill

Calla Leaves, Ahwanhee, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1.5000005191107″ second at f/22, ISO 100
Copyright © 2011 William Neill

White Orchid, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, EF50mm f/2.5 Compact Macro,
1/20 second at f/2.5, ISO 100
Copyright © 2011 William Neill

Clearing storm, Foothills of the Sierra Nevada, Madera County, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/3 second at f/8, ISO 100
Copyright © 2011 William Neill

Foothills and Winter Storm,Table Mountain,California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/6.7, ISO 100
Copyright © 2011 William Neill

Almond Trees Blooming, Kern County, California  2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/2 second at f/8, ISO 100
Copyright © 2011 William Neill

Almond Trees in Bloom, Kern County, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/9.5, ISO 100
Copyright © 2011 William Neill

Buckeye, Foothills of the Sierra Nevada, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/3 second at f/19, ISO 200
Copyright © 2011 William Neill

Pear Blossoms, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/4.5, ISO 100
Copyright © 2011 William Neill

Pathway and Pear Blossoms, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/9.5, ISO 100
Copyright © 2011 William Neill

Plum Blossoms and snow, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/2 second at f/22, ISO 100
Copyright © 2011 William Neill

Pond and Fog, Coarsegold,, California 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/10 second at f/22, ISO 100
Copyright © 2011 William Neill

Buckeye and Oaks, Foothills of the Sierra Nevada, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/16, ISO 100
Copyright © 2011 William Neill

Morning Mist and Pines, Foothills of the Sierra Nevada, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/250 second at f/16, ISO 100
Copyright © 2011 William Neill

Spring Oak, Coarsegold, California 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
HDR at f/16, ISO 160
Copyright © 2011 William Neill

Roots and Rocks, Merced River at Happy Isles, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
2″ second at f/19, ISO 100
Copyright © 2011 William Neill

Dogwood blossoms and the Merced River, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
3.0000010382213″ second at f/32, ISO 400
Copyright © 2011 William Neill

Hosta Leaves, Kitchener, Ontario, Canada 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/15 second at f/16, ISO 400
Copyright © 2011 William Neill

Pine and Waterfall, Tioga Road, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/16, ISO 100
Copyright © 2011 William Neill

Rock, Water and Tree, Cascade Falls, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/2 second at f/27, ISO 320
Copyright © 2011 William Neill

Evening Light, Merced River, Yosemite National Park, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/1 second at f/22, ISO 400
Copyright © 2011 William Neill

Flower Impressions, Pier 39, San Francisco, California 2011
Apple iPhone 3GS,
2″ second
Copyright © 2011 William Neill

Waterfall in Morning Light, Sierra Nevada Foothills, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1/4 second at f/9.5, ISO 200
Copyright © 2011 William Neill

Waterfall and Sunbeam, Sierra Nevada Foothills, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
1.5 second at f/27, ISO 200
Copyright © 2011 William Neill

Sunbeam on waterfall, Sierra Nevada Foothills, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
2″ second at f/16, ISO 200
Copyright © 2011 William Neill

Late Summer Meadow, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/8 second at f/13, ISO 320
Copyright © 2011 William Neill

Maple Leaf, Ahwahnee, California 2011
Canon EOS-1Ds Mark III, EF50mm f/2.5 Compact Macro,
1″ second at f/32, ISO 200
Copyright © 2011 William Neill

Autumn forest and slickrock wall, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/1 second at f/16, ISO 400
Copyright © 2011 William Neill

Reflections, Virgin River, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/8 second at f/19, ISO 400
Copyright © 2011 William Neill

Virgin River Reflections, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
1/4 second at f/19, ISO 100
Copyright © 2011 William Neill

River of Light, Virgin River in the Narrows, Zion National Park, Utah 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
second atf/16, ISO 100
Copyright © 2011 William Neill

Sandstone Sculpture, Arizona 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
3.0000010382213″ second at f/19, ISO 200
Copyright © 2011 William Neill

Canyon Sculpture, Arizona 2011
Canon EOS-1Ds Mark III, EF16-35mm f/2.8L II USM,
1.5000005191107″ second at f/16, ISO 200
Copyright © 2011 William Neill

Slot Canyon Sculpture, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1.5000005191107″ second at f/22, ISO 200
Copyright © 2011 William Neill

Hoodoo, Stud Horse Point, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1/2 second at f/22, ISO 100
Copyright © 2011 William Neill

Eroded Rock, Stud Horse Point, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
1″ second at f/19, ISO 100
Copyright © 2011 William Neill

Rocks, Stud Horse Point, Arizona 2011
Canon EOS-1Ds Mark III, EF24-105mm f/4L IS USM,
3.0000010382213″ second at f/19, ISO 100
Copyright © 2011 William Neill

Morning Fog and Oaks, Ahwanhnee, California 2011
Canon EOS-1Ds Mark III, EF70-200mm f/2.8L USM,
second atf/19, ISO 100
Copyright © 2011 William Neill

Sandhill Cranes landing at sunset, Consumnes River Preserve, California 2011
Canon EOS-1Ds Mark III, EF300mm f/4L USM +2.0x,
1/250 second at f/8, ISO 1250
Copyright © 2011 William Neill

Yellow Orchids, 2011
Canon EOS-1Ds Mark III, TS-E90mm f/2.8,
2″ second at f/22, ISO 100
Copyright © 2011 William Neill

Canon EOS-1Ds Mark III__EF16-35mm f/2.8L II USM___ISO 100

During my recent trip to Zion, I met up with my friend and former assistant John O’Connor to take a hike up the Narrows of the Virgin River.  We were so caught up with making images of all the wonderful reflections and other canyon details, we didn’t get very far, not even to the Orderville Canyon fork.  Oh well, next time!  Just when we decided to head back down river, I stopped dead in my tracks, in the middle of the river, when I saw these wonderful rapids and reflections.  This image was created with Nik HDR Efex Pro, using five exposures that were each one stop apart.

This river hike reminds of many years ago when I hiked down the Paria River, not photographing much walking downstream.  When turning the opposite direction, I started seeing photographs everywhere!  By the time, I came out of the canyon, it was pitch dark.  It took me about half an hour to find the trailhead parking area.  The image below, made with my 4×5 camera in 1985, became one of my first posters published in the late 1980s, and one of my best-selling fine art prints sold throughout the country by The Nature Company.

Reflections, Paria River, Paria Canyon/Vermillion Cliffs Wilderness Area, Utah 1985

Both photographs were made while standing in the cold rapids.  I used a longer exposure in the 1985 image, and so the reflections are smoothed over like a watercolor wash.  I cropped out the sunlit cliffs above each frame to avoid the extreme contrast and simplify the composition.  The results in both photos focus the viewer on the colors and textures in the river’s water.

I have many more new images to polish up in post-processing, so stay tuned for more from my southwest trip. Next up, slot canyons!

Enjoy, William Neill

______________________________________________

Finally, I am excited to announce my new Affiliate Program for my ebook series!  If you review the ebook or place the affiliate link in your blog or website, you will receive 30% of the sales that you send our way.  We are just starting up this program, but I wanted you to know right at the beginning. I hope to have a new ebook or two ready to launch in the next fews months, and having the Affiliate program should help launch the sales!  Click here for more details.  Thanks for supporting my photography!

Canon EOS-1Ds Mark III__EF24-105mm f/4L IS USM__0.7 sec at f / 16__ISO 400

Last week, I was photographing in Zion while traveling with my family.  I returned to a favorite location and was thrilled to find favorite red maples in fine autumn dress.  My kids loved the spot, and they spent about an hour burying each other in the sandy wash. I climbed around the steep slope opposite the trees and slickrock wall, looking for good compositions.  There was a breeze, so with each framing, I waited and watched for the leaves to stay still.  Here is one of my favorite versions from that afternoon.

I am continuing to process images from my trip, so come back soon to see more new work.

Enjoy!   Bill

I have also attached a 4×5 film image, taken from the same location in 1985.  Back then, when using Ektachrome 64, I used an 81A filter to counteract the blue balance.  This accounts for some of the color difference, as does later stage of the maples and oak’s leaves.  Ultimately, color is a matter of taste.  I “feel” far more than “think” when I create and process my images, and sometimes the interpretation of the same locations can very different.  I have learned to trust my instincts more than second-guess them.

Red maples and slickrock, Zion National Park, Utah 1985

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1/8 sec at f / 13__ISO 320 + Canon 2X Extender

I made this image yesterday.  I’ve been driving by this spot almost daily and had decided that I would need my Tilt Shift lens to achieve sharpness from front to back.  The morning was overcast so now I had the light I wanted.  Adding the 2X Extender to my 90mm T/S, I isolated these layers of color and texture.  There was a breeze, which made catching a sharp frame tough.  I spent 30 minutes in one spot, especially watching the tall composite flowers for when they stopped moving, to capture 2-3 sharp images.

This image will add nicely to my Morning Light series.

Enjoy!

Bill

If you haven’t seen my ebooks, check them out.  If you have one or more, share with your friends!

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__0.7 sec at f / 22__ISO 400

Later on the same evening that I photographed Rock and Water, Cascade Falls, Yosemite National Park, California 2011, I also spent some time along the roaring Merced River.  There is something magical about standing next to massive amounts of water thundering by so loudly that the rest of the world is drowned out.  The sky reflected beautifully in the rapids.  I made about 80 frames, playing with various shutter speeds and compositions.  I liked this version which shows the strong streaking and jumping of white water.

Enjoy!  Bill

See more of my Yosemite work, my PFD ebooks or new iPad app at my ebook store.  William Neill’s YOSEMITE: VOLUME ONE

Rock and Water, Cascade Falls, Yosemite National Park, California 2011 / Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/2 sec at f / 27__ISO 320

On a recent trip to Yosemite Valley, I spent some time photographing waterfalls.  The water levels are still very high for this time of year, but they are down quite a bit from the highest levels earlier this spring.  I had been stuck in my office for far too long, working for about two weeks straight catching up with orders.  I desperately needed this water therapy!

I had the idea of finding some water details and abstracts here at Cascade Falls.  I wanted to see what variations I might come up with like the detail shown below using a fast shutter speed made in 2005.  I worked with bright sunlight again but doubted I had any worthwhile images, so I did my errands and came back in the evening.

These two image are of the same section of the falls, the smaller 2005 image being a detail within the area of the larger image along the center left edge.  One of the reasons for showing this is to show how vastly different two interpretations can be.  I also want to mention how much I photographed in both these sessions.  My long time friend of 27 years, Michael Frye, posted an excellent comment recently about how many frames he made to find the best combo of texture and pattern in his waterfall image: Why Am I Taking Forty Frames of the Same Thing? It happens that his photograph was of this section of waterfalls on Cascade Creek, but of Lower Cascades Falls just over the cliff from where I made these frames.  He made a critical point about why he makes many variations of one composition, with the same camera settings, to find one frame that stood out above the rest.  Even with the same shutter speed, each of 40 frames was different.  Doing the work paid off for Michael, and it will for you too.

I use the same approach, especially with photographs showing moving water.  Not only do I make many frames with the same settings, I also “bracket” my shutter speeds.  I have been photographing moving water for a long time, but I am never quite sure which shutter speed will give the best effect for a given scene.  I watch the water carefully, looking for prime moments of action, like especially high leaps of spray.  I make a burst of frames, and when I think I’ve caught a good moment, I’ll move on to another shutter speed.  For the Rock and Water image here, I made around 100 frames total using about 6-7 shutter speeds.  When editing my images from this one day, I had 450 frames made at several locations.  For each composition, I had to view each frame, with Lightroom’s Compare View tool, to slowly edit down to the best expression of what I saw and felt.  Each exposure had subtle differences.  The larger image was made with a 1/2 sec exposure, the 2005 image at 1/1000.  My point is that it takes this kind of extra effort to push one’s work to the next level.

One final note: I have made a great effort to avoid photographing icons and cliches in Yosemite for the past 34 years.  When I made this recent image, I was aware that this rock and waterfall combo had been photographed before.  As when photographing Half Dome, I could only hope to add my own creative take to a common subject like Cascade Falls.  Whether or not I have succeeded , I do not know.  In any case, I had a great time in my favorite sanctuary – Yosemite.  Let me know your thoughts, and enjoy!

To see more of my Yosemite work, check out my PFD ebook or new iPad app!  William Neill’s YOSEMITE:
VOLUME ONE

Cascades Falls, 2005

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1/30 sec at f / 22__ISO 200

Practice, practice…

I’ve been very frustrated lately because I haven’t been able to get out of the office and up to Yosemite for waterfalls, reflections in the meadow, corn lilies in the high country.  Fortunately, my water lilies are in bloom and I check them out every day.  We had an amazing rain storm Tuesday night and the next morning, and so I took a lunch break on my patio.  My water lilies had been washed clean and were gleaming with water drops.  I used my trusty 90mm Tilt Shift lens, making two frames to merge into this square composition using Photo Merge in Photoshop CS5.  The storm was starting to clear, with the sun on the edge of a cloud which gives this image a fresh and sparkling mood.

So when I finally get up to Yosemite Valley next week, I’ll have had recent practice.  Practice seeing every day, get your camera out whenever and wherever you get inspired, and be ready for the next opportunity.  Oh yes, and it might just happen in your back yard!

Enjoy,  Bill

William Neill’s Yosemite Volume One

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__2.0 sec at f / 19__ISO 100

I have been very overwhelmed with work and thus have a large backlog of images to process.  I made this image last month at Happy Isle in Yosemite, which is an amazing place anytime but especially during high water.  This subtle image is part of my ongoing efforts to reveal the Inner Yosemite!  I hope you enjoy it and also hope to post more new work soon.

New App – William Neill’s Yosemite Volume One