Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__10.0 sec at f / 32__ISO 100

Last week, I traveled with my family on a camping trip to the Bandon area of the Oregon coast.  It was cold and windy, which not unusual and a refreshing break from the heat here.  If you’ve been to my Facebook page, I’ve already posted a very foggy image from the first evening there.  The next two evenings, I was on the main Bandon beach, photographing in the wind and fog.  Heaven!

For the image above, I used a Singh Ray Vari-ND to get more blurring action.  There were some subtle tones in the sky, but the monochrome evening lent itself to Black and White. John O’Conner did a wonderful job of doing the conversion and bringing out the textures in the surf and rocks that I wanted to show.

In case you missed it, here is the image from the first session.  More to come from this trip!

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__15.0 sec at f / 32__ISO 100

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__6.0 sec at f / 22__ISO 100

I have a small pond adjacent to my backyard patio, and the lilies are in bloom!  I made this image on Sunday, using two frames stitched together in Photoshop CS5.  To fulfill my concept, I cut the flower, then placed it in a small bowl of water which in turn was placed on black velvet.  Aiming straight down, I “shifted” my Canon TS 90mm lens to include two halves of the flower in two separate exposures.  This techniques allows me to create a square format with Photomerge, which suits this flower shape to me.  It also gives me a bigger file:  PS Image Size reads this file as 206 MB.

Enjoy, and let me know your thoughts,   Bill

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Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__2.0 sec at f / 32__ISO 100

Life is full of lessons.  When I went to Yosemite Valley a few weeks ago, as with every spring for 33 years, I tried to create a new dogwood images.  I alwaya gravitate to the same tree where I have made best dogwood images.  I call it my Home Tree.  I tried a few frames of this tree again, but realized that my past images were better.  So I moved on.  Upriver, near Pohono Bridge, I worked along the river bank, looking for a “dogwood and river rapids” image.  Here is one I made in 1988, but this season at this same location, the dogwood were too sparse:  Dogwoods on the Merced River, Yosemite Valley, Yosemite National Park, California 1988.  Again, I tried a few frames anyway then headed upstream to another location where I have rarely photographed.  Unfortunately, I was running short on time since I needed to meet up with my 9 year old son Ravi’s Yosemite field trip group.  The first composition I tried was the one below.  The branches were graceful and full of blossoms.  The wind was light and there was little movement in the branches.  The water was high so the river was mostly dark with a few curving breaks of whitewater.  I am pleased with the image, but it is not up there with my best.

Finally, I spotted a dogwood tree next to the river that had a broken branch dangling in the rapid water.  The blossoms danced to the movement of the river like so many dancing fairies.  My first instinct was to use a fast shutter speed, so that the dogwood would be sharp.  Even if I could freeze the action of the tree, the river rapids would look stiff and unnatural.  So I turned my aperture down to f/32 to see what kind of impressionistic effect I could capture by allowing the blossoms to dance their dance and for the river to blur softly in the background.  Since only parts of the whole branches were being shaken by the strongly flowing river, this image has an intriguing blend of sharpness and softness.  I feel that the BW treatment adds to the delicate effect.

Lesson:  I find it important to visit locations where I feel at home.  In this case, it was my dogwood Home Tree, and in general, the stretch of dogwood trees below Pohono Bridge.  But in order to continue my own creative growth, and to raise the bar on my work, I needs to push myself to seek new views, new angles.  Each time I hope to better my best!

Let me know your thoughts about these two images.

Cheers,   Bill

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/3 sec at f / 32__ISO 200

Photo Reviews by William Neill
I am pleased to announce a new service we are offering here at William Neill Photography. During the past thirty years of my career, I have always taught photography whether at major workshop programs around the country, through my Outdoor Photographer column, On Landscape, or online through BetterPhoto.com. Inspired by Ansel Adams when I worked at his Gallery in Yosemite, I learned from him the great value of sharing knowledge and giving back to the art of photography.

eBooks

Also, I have a promo going on for my eBooks.  Take a look at each book to read “what they are saying!”
Now thru July 4th get $5.00 OFF all eBooks!
Or buy all 3 for $25.00!

BLACK OAK LEAVES, EL CAPITAN MEADOW, YOSEMTIE VALLEY 1983

John and I have been working on my next ebook, which is a collection of my Yosemite photographs.  This image is one of my favorite Yosemite images, but it has sadly languished in terms of printing it because the original film was lost about twenty years ago.  The Cibachrome lab I used lost it.  I never had a proper scan made of the film as high res film scanning was not commonly available back then.   And don’t get me started on “lost film” stories.  I have far too many…

However, I have an exhibit coming up this summer at The Ansel Adams Gallery from  7/07 to 8/17/2010 so this will be a golden opportunity to print and exhibit this image.  For the digital file shown here, I scanned an 8×10 Cibachrome.  Not an ideal method, but I can make a very clean 16×20 print from that file.

By the way, this photograph was made with my Wista 4×5 Metal Field Camera in January, 1983.

In my Yosemite: The Promise of Wildness book, I included this photo and wrote these words about the making of it:

“This young oak stands a few feet from the main road leaving Yosemite Valley.  Millions of visitors race by it each year.  Despite its incongruous location, the tree conveyed a sense of wildness to me.  I had had a bad day at work [The Ansel Adams Gallery] and was heading home.  Needing something to calm my frustrated disposition,  I stopped for a walk along the meadow’s edge.  Having had the time to slow down and relax, I looked up from my ruminations and was struck with the beauty of these leaves.  With my attitude adjustment complete, I exposed my favorite image of Yosemite!”

Enjoy,  Bill

And come visit The William Neill Store!

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1.5 sec at f / 13__ISO 100

I am posting one of the waterfall photographs that I took on Mother’s Day in Yosemite.  It was raining as I photographed.  Using my Tilt Shift lens, I exposed three frames that I later stitched together using Photoshop CS5.  You might also enjoy seeing other panos in my Panoramic Portfolio on my web site.

This weekend, I photographed my irises and fields of lupine.  Hope to post some of them soon!

Cheers,

Bill

The WilliamNeill.com Store

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/2 sec at f / 6.7__ISO 100

I continue to edit my Cally Lily images.  I made a few new Impressions of Light images.  Here is one of them.  Would love to hear your comments!

Cheers,   Bill

I haven’t had time to fully edit my Yosemite images from last weekend.  Soon, I hope!

Impressions of Light – Deluxe Edition

Impressions of Light – Digital Edition

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__f / 32__ISO 100

Here is another image in my new Cally Lily series, this one from the third day of this setup.  As with the previous image, this photograph was made with Photomatix, this time with seven exposures.  The morning sun is coming through my window from the upper left hand corner.  I first saw this lighting effect on the previous morning, unplanned and unexpected, but I was so revved up I blew the composition.  So I noted the time in the EXIF data and returned to try again the next morning.  I didn’t move the large blossom, but needed to create better spacing between it and the small flower.

John and I have been using Adobe Photoshop CS5 for about one week, including HDR Pro.  I think it has great potential but we haven’t fully explored it yet.  More on that later…

I look forward to your comments.  Let me know which one you prefer!

Cheers,

Bill

One-on-One Workshops

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__f / 32__ISO 100

Earlier this week, I received three calla lilies to photograph.  For three days, I left them in a corner of my dining room where I have found magic light in the past (see blog post from October 2009).  I hung my every-ready black velvet on a chair behind the blossoms.  On the second day, the early morning sun glanced across this one flow.  Aiming downward, I needed f/32 and a little lens tilt to hold sharpness in the vase and flower.

Due to the wide contrast, I bracketed seven exposures that were one stop apart.  This image was made with six of those frames using Photomatix by my assistant John.  The exposure blend enabled us to show fine separation of tones in the white, nice shading in the green stems but left the background black.

I made about 700 exposures in various light, including some blurs and many 7-frame brackets, so I still have much editing to do.

Until I can polish up some more selects, I hope you enjoy this one.  Let me know your thoughts!

Cheers,  Bill

Sign up now for one of my May online workshops! It’s not too late!

Dogwood blooming, Yosemite National Park, California 2005

I have been busy with the “day to day” of running my business, including making new images.  I hope to post soon, so stay tuned!

This month’s Featured Print is “Dogwood blooming, Yosemite National Park, California 2005″ shown to the left.  I created this image five years ago.  My EXIF date shows that I was at 370mm.  It took a great deal of patience, and many frames, to get a sharp exposure since the branch was suspended over a very tumultuous Merced River!  I’ve printed and sold 20×30″ prints and the quality holds up very well.

Canon EOS-1Ds Mark II__70.0-200.0 mm+2x Extender__1/5 sec at f / 13__ISO 100

This Special Edition image is an archival inkjet print, sized to 9″ x 6″ on Ilford Galerie Gold Fibre Silk Paper, matted and mounted to 11″x14″ on archival museum board. The print will be initialed by me, not signed. The series will be unlimited in quantity andnumbered sequentially on the label.

With each collectible Special Edition released, you can build a fine art portfolio of my photographs at a very reasonable cost. And the best part…it’s only $40!

New Dogwood Featured Print

KInd regards,    Bill