Archive for the ‘The Ansel Adams Gallery’ Category

My Favorite Photographs of 2019

Saturday, January 4th, 2020

Greetings from the Sierra Nevada,

Happy New Year! I hope your year ahead is happy, healthy, and artistically productive!

I’ve always thought that tight editing was a prime skill for any photographer and that I was good at it. Well, this year, I’m proving that incorrect. I decided that since over the past year, I’ve made such a diverse range of imagery, I would show that range. My 2019 collection includes 60 photographs listed in chronological order. I am hoping that while seeing a fuller view of my visual explorations that somewhere while scrolling through my images you find an inspirational direction for your own art.

The primary motivation for me to photograph is to experience beauty, which is everywhere if we look for it. For example, the first image here was taken with my iPhone in Costco. Much of what I find is local, around my home like ice formed in a bucket on my patio, snow on the pines in my neighbor, trees in bloom in Fresno, and of course a few from Yosemite.

Many years ago, when I was involved with Ansel Adam’s workshops, I was fortunate to hear lectures by many master photographers.  One of them was Jerry Uelsmann (http://www.uelsmann.com/), who became a friend and mentor.  During his lectures, he would show his work from the past year.  Since his work involves compositing many images together, these images including variations he had tried, often with the same objects in different locations or scenes.  This overview revealed the progression of Jerry’s creative process during the year.  I always felt inspired when seeing many of his slide shows.  I often thought I should do this myself each year, in order to assess my year’s efforts, but never got around to it. So now I’ve been doing the annual review annually!

The process of self-assessment is a vital part of artistic growth.  In the day-to-day rush of life, we don’t often stop to see trends in our image-making.  By turning back the clock, we can see if we are stuck in a rut or made great progress.

I hope you will add your comments or favorites at the bottom of the page. You can add a link to your collection if you wish.

Kind regards, Bill

PS Click here to read my Outdoor Photographer essay on this subject written in 2010 entitled Best of the Year.

Best of 2014
Best of 2015

Best of 2016
Best of 2017
Best of 2018

 


Flowers, Fresno, California 2019
PureShot for iOS, iPhone XS Max back camera 4.25mm f/1.8,
1/60 second at f/1.8, ISO 50

 


Sierra Foothills, Madera County, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
2 second at f/32, ISO 100

 


Bracken Fern, 2019
Sony ILCE-7RM2, FE 16-35mm F2.8 GM,
1/4 second at f/11, ISO 100

 


Winter Oaks, Ahwahnee, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/200 second at f/14, ISO 800

 


Pines in snowstorm, Ahwahnee, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/25, ISO 100

 


Ice, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
3.20 second at f/32, ISO 100

 


Gnarled Oak, snowstorm, Ahwahnee, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/90 second at f/13, ISO 800

 


Vernal Pool, Madera County, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/10 second at f/6.3, ISO 100

 


Spring foothills, Madera County, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/8, ISO 100

 


Oak woodlands, Madera County, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/40 second at f/16, ISO 100

 


Moonrise and oak woodlands, Madera County, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/16, ISO 100

 


Creosote patterns, Ahwanhee, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/15 second at f/6.3, ISO 100

 


Ice and stones, Ahwanhee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
1.50 second at f/19, ISO 100

 


Pear blossoms, Fresno, California 2019
Sony ILCE-7RM2, FE 16-35mm F2.8 GM,
1/640 second at f/11, ISO 1600

 


Spring Blossoms, 2019
Sony ILCE-7RM2, FE 16-35mm F2.8 GM,
1/250 second at f/16, ISO 800

 


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/18, ISO 400

 


Dawn Surf, Point Pinos, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
30 second at f/20, ISO 100

 


Cypress trees in fog, Pacific Grove, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/3 second at f/20, ISO 100

 


Pfeiffer Arch, Pfeiffer Big Sur State Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
8 second at f/14, ISO 100

 


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1000 second at f/18, ISO 100

 


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/800 second at f/18, ISO 100

 


Moon over Glacier Point, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/25 second at f/5.6, ISO 400

 


Dogwood, Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/25, ISO 100

 


Dogwood Blossoms, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/14, ISO 100

 


Dogwood along the Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/3 second at f/16, ISO 100

 


Spring sunrise over Yosemite Valley, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/40 second at f/11, ISO 100

 


Upper Yosemite Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/5.6, ISO 200

 


Waterfall and Mist, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/7.1, ISO 200

 


Lupine, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
1/4 second at f/16, ISO 100

 


Farewell to Spring Blossoms, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
1/8 second at f/13, ISO 100

 


California Poppies, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
1/13 second at f/9, ISO 100

 


Hydrangea, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
4 second at f/25, ISO 100

 


Ridges, Mt Tamalpais State Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/125 second at f/16, ISO 200

 


Sequoias, Mariposa Grove, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1 second at f/14, ISO 100

 


Sequoia trees, Mariposa Grove, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/10, ISO 100

 


Ripples, Ahwahnee, California 2019
Sony ILCE-7RM2, #10 50/2.4,
1/400 second at f/2.5, ISO 100

 


Abalone Shell and Bubbles, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
1/2000 second at f/5.6, ISO 800

 


Abalone Shell and Bubbles #2, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
1/2000 second at f/5.6, ISO 800

 


Ripples, Ahwahnee, California 2019
Sony ILCE-7RM2, #127 90/2.8,
1/3200 second at f/5, ISO 1600

 


Patterns #1, Disney Concert Hall, Los Angeles, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/640 second at f/8, ISO 200

 


Patterns #4, Disney Concert Hall, Los Angeles, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/320 second at f/11, ISO 200

 


Ripples, Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/800 second at f/9, ISO 1250


Cottonwoods and Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 16-35mm F2.8 GM,
1/25 second at f/18, ISO 400

 


Clearing Storm, Santa Rosa Wilderness, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/400 second at f/8, ISO 100

 


Clearing Storm, Santa Rosa Wilderness, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/400 second at f/8, ISO 100

 


Cottonwoods and mist, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/8 second at f/11, ISO 100

 


Cottonwoods impressions, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/25, ISO 100

 


Cottonwoods, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1 second at f/16, ISO 100

 


Pine Forest, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
4 second at f/16, ISO 100

 


Steaming Mist and Pine, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/80 second at f/18, ISO 100

 


Cattails, San Juaquin Valley, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/5000 second at f/5.6, ISO 6400

 


Grasses reflected, San Juaquin Valley, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/4000 second at f/6.3, ISO 6400

 

SonyILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/8000 second at f/7.1, ISO 6400

 


Sword Ferns, Sehome Hill, Bellingham, Washington 2019
Sony ILCE-7RM2, #127 90/2.8,
2 second at f/16, ISO 100

 


Sword Ferns, Sehome Hill, Bellingham, Washington 2019
SonyILCE-7RM2, #127 90/2.8,
1/13 second at f/16, ISO 800

 


Alder Forest, Arroyo Canyon, Bellingham, Washington 2019
SonyILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1 second at f/20, ISO 100

 


Alder Forest, Arroyo Canyon, Bellingham, Washington 2019
SonyILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1.60 second at f/20, ISO 100

 


Whatcom Falls, Bellingham, Washington 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/13, ISO 200

 


Whatcom Falls, Bellingham, Washington 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/3 second at f/20, ISO 200

 


Whatcom Creek, Bellingham, Washington 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/3 second at f/18, ISO 100

 

ANSEL ADAMS GALLERY EXHIBIT: LIGHT ON THE LANDSCAPE November 17th – January 4th

Saturday, November 16th, 2019

Spring storm, Yosemite Valley, Yosemite National Park, California 1986

 

Aspen in winter, Conway Summit, Inyo National Forest, 1995

PHOTOGRAPHIC EXHIBIT: LIGHT ON THE LANDSCAPE
November 17th – January 4th

Since 1983, when Ansel approved my work for sale in his gallery, I have been exhibiting my fine art prints there. This has been a great honor for me, with 15+ shows over those many years. I’ve chosen this exhibit’s title to be Light On The Landscape as it is also the title of my forthcoming book by the same name. You can read more about the book below.

Starting soon after the first of the year, a pre-order sale of a limited number of signed hardbound editions will be made available by the publisher Rocky Nook on their website. I will be offering some form of deluxe edition for direct sale only. Softbound is expected to be $45 and the hardbound $55. I will announce the details when the pre-order is launched so stay tuned to my social media or sign up for my occasional newsletter HERE.

I will be attending the opening reception to be held on Saturday, November 23rd from 1-3 pm.

Kind regards, William Neill

FROM THE GALLERY:
In 1977, photographer William Neill found his life’s path when he moved to Yosemite to work for the National Park Service. Not long after this, he began working at The Ansel Adams Gallery as a staff photographer, teaching visitors all he could about the art form and the place that he loved. Mr. Neill has said that: “Perhaps one of the greatest joys of being a photographer to me is to see the light on the landscape, seeing its daily cycles change with each season and shift with each day’s weather. I revel in the light. I am its disciple.” While other itinerant interests would take him on adventures far and wide, from the American Southwest to the Himalaya to Antarctica, he would make Yosemite his home.

His life in photography has been an amazing journey as witnessed by the incredible and intimate imagery that has resulted, as well as the numerous books and articles written in the process. Between November 17th, 2019 and January 4th, 2020, The Ansel Adams Gallery will be exhibiting “Light on the Landscape – Photographs by William Neill” featuring work made throughout an illustrious career.

A reception with the artist will be held on Saturday, November 23rd from 1-3 pm, on what will no doubt be a beautiful autumn day in the park!

LIGHT ON THE LANDSCAPE

Saturday, August 31st, 2019

Spring storm, Yosemite Valley, Yosemite National Park, California 1986

I am happy to announce my next book!

LIGHT ON THE LANDSCAPE: Photographs and Lessons from a Life in Photography.

To be published by Rocky Nook in the spring of 2020. A collection of photographs and essays based on my On Landscape column for Outdoor Photographer Magazine.

FROM THE PUBLISHER:

“For more than two decades, William Neill has been offering his thoughts and insights about photography and the beauty of nature in essays that cover the techniques, business, and spirit of his photographic life. Curated and collected here for the first time, these essays are both pragmatic and profound, offering readers an intimate look behind the scenes at Neill’s creative process behind individual photographs as well as a discussion of the larger and more foundational topics that are key to his philosophy and approach to work.

Drawing from the tradition of behind-the-scenes books like Ansel Adams’ Examples: The Making of 40 Photographs and Galen Rowell’s Mountain Light: In Search of the Dynamic Landscape, Light on the Landscape covers in detail the core photographic fundamentals such as light, composition, camera angle, and exposure choices, but it also deftly considers those subjects that are less frequently examined: portfolio development, marketing, printmaking, nature stewardship, inspiration, preparation, self-improvement, and more. The result is a profound and wide-ranging exploration of that magical convergence of light, land, and camera.

Filled with beautiful and inspiring photographs, Light on the Landscape is also full of the kind of wisdom that only comes from a deeply thoughtful photographer who has spent a lifetime communicating with a camera. Incorporating the lessons within the book, you too can learn to achieve not only technically excellent and beautiful images, but photographs that truly rise above your best and reveal your deeply personal and creative perspective—your vision, your voice.”

Protecting Place

Sunday, July 14th, 2019


Eroded Navajo sandstone slot canyon, Antelope Canyon Tribal Park, Arizona 2002
Wista 4×5 Metal Field Camera

NOTE: The original version of this essay was written and published in Outdoor Photographer Magazine in 2002 after a recent visit.

I first visited Antelope Canyon in 1982, when only a very few photographers had discovered the remarkably-carved sandstone slot canyon. I happened to have seen some of the first published photos of slot canyons ever published, which intrigued me greatly. Some years later, and without planning to seek them out, I saw photographs in a nearby visitor center, I asked for directions and was drawn a simple map. I parked my car along the highway as directed. No signs or markers were to be found. Hoping that I was heading in the right direction, I shouldered my heavy pack and hiked up the wash. I had no clear idea of how far the slot was or how I would get into it when I got there. After a few miles, I could see the sides narrow down to a sandstone cliff with a slot in it. I entered this unknown space with a sense of mystery and discovery.

I spent hours within the sculpted walls, completely in awe, and completely alone. Well, except for a raven cawing eerily from somewhere above my head. The few images I had previously seen did not prepare me for what I saw and felt. Here was the Sistine Chapel of natural sculpture. The profound art of Creation.

At the end of that extraordinary day in Antelope, I heard a truck driving up the sandy wash. I was a bit worried. I didn’t know if I belonged there. The people from the truck seemed surprised to see me, with my 4×5 camera, recording the slot canyon. Worried and protective, they asked me what I planned to do with my images. I told them I would label my photographs vaguely if they were published, in hopes of protecting the canyon from becoming well known. In a fine bit of irony, these were the folks who had led me to the site with their published photographs!
NOTE: A new book “Searching for Tao Canyon” chronicles their explorations starting in the early 1970s.
Searching for Tao Canyon By: Pat MorrowJeremy SchmidtArt Twomey

I returned home with a few decent images, two of which are included here. Some were published, some I printed for display in galleries or were shown to workshop students, but I never labeled the location specifically, only “Slot Canyon, Arizona” or something. I was often pressed for more specific directions, and I gave as few hints as possible. I was torn between the desire to share such a treasure, and the same territorial feelings felt by those early photographic explorers of Antelope. At the same time, other photographers were discovering, and publishing images of the slot canyons. The secret was getting out.

We must all think carefully about the impact of our images.  Does publishing our work outweigh the possible impact the exposure might bring?  Can we depend on resource managers to protect delicate or overused landscapes?  Is nurturing the love of nature’s treasures through our photographs more critical, and worth the risk? These are important questions, for which I have no definitive answers.

Just the other day, I received my copy of a travel magazine that reaches several million readers.  On the cover was a beautiful image of a very sensitive area, which had already been a subject of vandalism, with its location clearly defined.  I cringed and could only pray more damage would not result from the added attention.  In spite of this quandary, I am hopeful that when images are published of delicate places, others that follow will tread lightly and become involved in its protection.

NOTE: Here are two nature photography organizations involved in protecting nature and encouraging safe and ethical standards for nature photographers.
Nature First https://www.naturefirstphotography.org/
North American Nature Photography Association http://www.nanpa.org/

 


Side Canyon, Arizona 1982
Wista 4×5 Metal Field Camera


Slot Canyon, Arizona 1982
Wista 4×5 Metal Field Camera

Springtime in Paradise

Sunday, May 12th, 2019

During the last few weeks, I’ve visited Yosemite Valley several times and I’d like to share my new images with you. Having lived in or nearby the Valley for forty years, it would be all too easy to become jaded or bored photographing the small area for so long. Over the course of a year, I really don’t visit that often. However, whenever I go I find something amazing and wonderous to see, and sometimes photograph. When sharing this beauty with my students, I reengage with and refresh my long love affair with this sanctuary, this paradise.

I hope you enjoy this collection, and that you’ve had a chance to engage with springtime in your areas. Please let me know your favs and add your comments below!

Kind regards, Bill

PS To learn more about my Yosemite Private Workshops, click HERE.


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/18, ISO 400

 


Dogwood and Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/18, ISO 100

 


Waterfall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/20, ISO 100

 


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1000 second at f/18, ISO 100

 


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/800 second at f/18, ISO 100

 


Moon over Glacier Point, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/25 second at f/5.6, ISO 400

 


Dogwood along the Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/3 second at f/16, ISO 100

 


Spring sunrise over Yosemite Valley, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/40 second at f/11, ISO 100

 


Spring Elm, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 16-35mm F2.8 GM,
1/20 second at f/14, ISO 100

 


Upper Yosemite Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/5.6, ISO 200

 


Waterfall and Mist, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/7.1, ISO 200

 


Dogwood over the Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/22, ISO 100

 


Rock and Waterfall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/32, ISO 100

 


Spring dogwood, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/18, ISO 100

 


Spring dogwood and Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/25, ISO 100