Archive for the ‘Patterns of Nature’ Category

The Fine Art of Nature for the Holidays

Sunday, November 26th, 2017

Greeting from Yosemite! It is that time of year when we start shopping for holiday gifts. I’ve provided you with a list of options that feature my photography. I hope that the holiday season is a happy and healthy one for you.

Happy Holidays,  Bill

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On the Williams Sonoma online store, my photograph “California Nautilus Shell” is available. At the moment, the price of this large archival photograph is seriously discounted.

Exclusively From Williams Sonoma:
CLICK TO PURCHASE

  • 50.25″L x 1″W x 28.75″H, overall.
  • Giclée print signed by the photographer.
  • Set behind Plexiglas and double-thick beveled mats.
  • Wood frame has a painted, high-gloss finish.
  • Ready to hang with D-rings at the back.

_________________________________________________

On the Artful Home, my print “Agave” is available. For details, CLICK HERE. The photograph is handprinted by me here in my studio.

Image Dimensions:  16″H, 20″W
Overall Dimensions:  22″H, 24″W

 

________________________________________________________

 

Original photographs are the highest representation of my art. For pricing information, please contact one of the galleries listed on my Gallery Representation page. Each gallery’s link below features a variety of prints from large format color landscapes to my Impressions of Light series.

The Ansel Adams Gallery
800-568-7398
E-mail: evan@anseladams.com

Susan Spiritus Gallery
714-754-1286
E-mail: susan@susanspiritusgallery.com

The Weston Gallery
831-624-4453
E-mail: info@westongallery.com

The Focus Gallery
781-383-0663
E-mail: vallinophoto@comcast.net

Paragone Gallery
Francie Kelley
310-659-0607
Email: mail@paragonegallery.com

Favorite Photographs of 2014

Tuesday, December 27th, 2016

NOTE: I am reposting my Favorite Photographs of 2014 due to a past crash of my blog site…

 

Happy New Year!  I finally put together my favorite photographs from 2014.  It is always helpful to take the occasional assessment of our own creative progress. You might be interested in reading an essay I wrote on the subject five years ago in my On Landscape column for Outdoor Photographer on this subject.  Since I started teaching private workshop sessions in Yosemite, I’ve been visiting Yosemite Valley much more often so you will see a batch of new Yosemite images taken this past year.

If you have been following my work this past year, you know that my big trip of the year was to Antarctica last January. Click here to read my Outdoor Photographer magazine On Landscape column, and recent Antarctic Dreams portfolio in OP and see below!

I have numbered each image, which will make it easier for you to let me know which ones are your favorites.  It will be fun and helpful for me to have your feedback.  I will value a list of favs, or general thoughts on what work you respond to the most.  After I assess your feedback, I will then make a final edit of 10-15 that are my top selects of the year.  My criteria for that final selection will be based on which images I feel best represents my personal vision and style rather than the most popular ones.  If you have your own post of top images for 2014, please add your link in your comments below.

I look forward to your comments and favorites for my 2014 portfolio.  Enjoy and please share with your friends!

I wish you a year full of the gifts of nature, peace and love,  Bill

PS  The photographs below are in chronological order.

Yosemite Private Workshops

 


Clouds and Shadows, Bransfield Strait, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/8000 second at f/9.5, ISO 800


Morning light, Gerlache Strait, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/1000 second at f/11, ISO 1600


Early morning light, Antarctic Peninsula, Antarctica
January 29, 2014 06:18:31
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/750 second at f/11, ISO 1600


Ancient crystal Iceberg, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/750 second at f/16, ISO 1600


Blue Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/750 second at f/22, ISO 1600


Glowing Glacier, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/8000 second at f/11, ISO 1600


Two Humpback Whales and Iceberg, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1500 second at f/11, ISO 800


Two Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/3000 second at f/11, ISO 800


Icebergs and Sunset, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/3000 second at f/5.6, ISO 800

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/180 second at f/13, ISO 800


Iceberg at Dawn, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/2000 second at f/2.8, ISO 400


Iceberg Towers at Dawn, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/4000 second at f/2.8, ISO 400


Iceberg Arch, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/500 second at f/9.5, ISO 400


Crabeater seal resting on an iceberg, Pléneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/350 second at f/9.5, ISO 400


Iceberg Sculpture, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/125 second at f/19, ISO 800


Sunset, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1500 second at f/6.7, ISO 800


Rolling iceberg, Scontorp Cove in Paradise Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/250 second at f/19, ISO 400


Glaciers, Scontorp Cove in Paradise Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/1500 second at f/19, ISO 800


Mountains and Glaciers at Scontorp Cove, Paradise Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/1500 second at f/16, ISO 800


Chinstrap Penguins entering surf, Baily Head on Deception Island, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/3000 second at f/8, ISO 800


Chinstrap Penguins, Baily Head on Deception Island, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1500 second at f/13, ISO 1250


Young Antarctic fur seal, Baily Head on Deception Island, Anarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/250 second at f/9.5, ISO 1250


Roses II
Canon EOS-1Ds Mark III, EF50mm f/2.5 Compact Macro,
6 second at f/22, ISO 100


Waterfall on Lee Vining Creek, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/3 second at f/19, ISO 100


Seastacks at Sunset, Rialto Beach, Olympic National Park. Washington 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
3 second at f/22, ISO 100


Ferns, Hoh Rain Forest, Olympic National Park, Washington 2014
Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM,
15 second at f/19, ISO 100


Avalanche Lily, Olympic National Park, Washington 2014
iPhone 5, iPhone 5 back camera 4.12mm f/2.4,
1/200 second at f/2.4, ISO 50


Backlit Aspen, June Lake Loop, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM,
1/250 second at f/16, ISO 640


Autumn Reflections, Lundy Canyon, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/15 second at f/32, ISO 400


Last Light, Conway Summit, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/15 second at f/19, ISO 200


Aspen Forest Impressions #3 , Lee Vining Canyon, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
3 second at f/9.5, ISO 100


Aspen Leaves, Lee Vining Canyon, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
3 second at f/32, ISO 200


Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/180 second at f/22, ISO 200


Yellow Maples, Cedar and Pine, Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1.50 second at f/16, ISO 640


Cottonwoods reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/22, ISO 100


Maples Leaves and Merced River Reflections, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM +2x,
1/1 second at f/45, ISO 400


Grasses and El Capitan reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/32, ISO 200


Grasses reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/1000 second at f/2.8, ISO 800


Grasses and reflections in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/350 second at f/2.8, ISO 200


Maple leaf and autumn reflections, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/60 second at f/4.5, ISO 320


Thimbleberry Leaves, autumn, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
2 second at f/32, ISO 400


River otters, American River, Sacramento, California 2014
Canon EOS 5D Mark III, EF100-400mm f/4.5-5.6L IS USM,
1/350 second at f/5.6, ISO 1250

Focus Your Fall Portfolio

Sunday, September 4th, 2016
Autumn Elm and Sunbeams, Cook's Meadow, Yosemite National Park, California, 2014

Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California, 2014

Focus Your Fall Portfolio

Below is an essay  I wrote last year for my On Landscape column published in Outdoor Photographer Magazine. I would love to hear feedback on your favorite images, and share links to any “epic day” images you wish to share!

With autumn photography approaching soon, I want to share some ideas that may help you develop an excellent portfolio for this fall season. I have found it useful, for myself and for teaching my students, to think about creating a story line, or clear thematic focus, for your work. Consider what specific locations or aspects of autumn inspire you the most. The location could be your backyard, a nearby park or reserve, or a travel location where you can spend at least a few days to explore the area fully. A favorite aspect might include colorful reflections, or the patterns of fallen leaves, or a series focused on branch-filled tapestries of color. This approach of specialization will help distinguish your autumn images from other photographers’ work.

Two key elements needed for your selection of an autumn theme are passion for the subject and easy access during the season. Passion is a must-have ingredient for creative, insightful imagery. Repeated access to your location will build your knowledge of the light, weather and seasonal changes, helping you find the best conditions for making great photographs. One idea would be to photograph the transition of autumn in your area, from the first hints of color in green trees to the last clinging leaves. This transition offers us great opportunities to communicate that visceral sense that we all feel of time moving forward.

Instead of trophy hunting for singular, spectacular scenic images, I like to explore around for quiet images, ones that don’t shout too loud. In Yosemite, for example, I often find exciting details on the forest floor, in river reflections or cliff details. I have included some examples here from last fall in Yosemite Valley. Over a two-week period in late October and early November, I worked with private students in Yosemite Valley. I enjoy the one-to-one process of helping photographers find their own vision, and share mine with them. Even though I usually focus on intimate details, that doesn’t mean I will avoid those epic, rare events where weather and/or light explode with drama and energy.

On one such dramatic morning, an amazing confluence of peak autumn color and morning mist, rising off a frosted meadow, unfolded before me and my student. We started out photographing from one excellent vantage point, then raced to where the sun was directly behind this extraordinary tree where we witnessed sunbeams bursting through the graceful branches. Knowing that the mist would burn off soon, we worked rapidly to find the best camera position for him to block the rising sun with the tree’s limbs. Even though the lens was shaded from direct sun, the high contrast and rapidly changing situation called for bracketing exposures to ensure a full range of data was captured. The end result, for both of us, were top portfolio “keepers!” The images portray the symbolism of “a new day” and “light shining through the darkness.”

Just as exciting to me were several quiet Yosemite images I photographed last fall. Quiet intensity in an image can endure and engage the viewer for longer in my opinion. With subtle imagery comes a depth that can be enjoyed more over time.


Yellow Maples, Cedar and Pine, Yosemite Valley.

When I pull together a group of photographs such as from last autumn, I edit by looking for the highest and most consistent quality, as well as looking for a balance of scale, light, weather and subject matter. I might use a wide-angle view or two to set the context of the portfolio in Yosemite Valley. However, my intimate landscapes would be my main focus, such as the river and trees reflections, or leaves floating through autumn-colored river reflections. When you see the selected images as a group such as in an exhibit or online gallery, they should create a visual story, a personal exploration, a creative viewpoint.

This fall, think about what thematic project you could develop. Selecting a title, even if you change it later, can give you additional focus for both your shooting sessions and editing. Think about what you want to say with your images. Your unique viewpoint will be better revealed, and the concept behind the photographs will heighten the portfolio’s impact.

Best wishes for great light, wondrous color and creative autumn photographs!

 

Open Studio – Sierra Art Trails on Sept. 30, Oct. 1 and Oct 2!

Monday, August 29th, 2016

Neill Open Studio

We are very pleased to announce that we will be open for Sierra Art Trails 2016, which is celebrating 14 years of supporting the Arts in the Yosemite Foothills! Mark your calendar for Friday, Saturday and Sunday, September 30th through October 2nd from 10AM to 6PM. My home studio will be full of my fine art prints, books, and posters. Come visit me, and you can also visit Yosemite while in the area!

INVENTORY SALE! Once each year, I offer discounts on a large number of prints in inventory.  The good news is that I have so many photographs, but not enough space in my office so CLEARANCE is the key word!

I hope to see many old friends and meet new ones too!  Let me know if you think you can make it, and ask any questions if you have them. Also, please share this with friends who you think might be interested. Thanks!

See the official website for more details.
http://www.sierraarttrails.org/index.html

Cheers,  Bill

The photo above shows what my living room looks like during Sierra Art Trails.

The cost of admission is $20.00 for all participating venues and includes the Sierra Art Trails Catalog, your “ticket for two” for the event. The catalog includes a list of participating artists, examples of their work, and maps to the locations of artists’ studios, galleries, and other viewing locations.  Artists are scattered throughout the area. Your catalog and map will guide you.

 

Photographs by William Neill, slideshow by PhotoShelter

Tuesday, March 17th, 2015

I have been preparing for a new advertising campaign targeted at art consultants, galleries, and collectors. In order to increase the impact of my William Neill Photography web site’s home page, I went to my PhotoShelter account and created the slideshow below.  Many new images are shown, as well as some of my classic nature photographs.

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Enjoy, and please share with friends and add your comments below. Do you have a slideshow you’d like to share? Add your links below!

See any photographs that you would like to see on your wall at home or office?

William Neill’s photographs may be viewed at these
fine art galleries:

The Ansel Adams Gallery
Yosemite National Park
On The Village Mall
Yosemite, California 95389
800-568-7398
E-mail: evan@anseladams.com

Susan Spiritus Gallery
3929 Birch Street
Newport Beach, CA 92660
949-474-4321
E-mail: susan@susanspiritusgallery.com

Mountain Light Gallery
106 S. Main Street
Bishop, CA 93514
760-873-7700
E-mail: gallery@mountainlight.com

The Weston Gallery
6th Avenue & Lincoln
P.O. Box 655
Carmel, CA 93921
831-624-4453
E-mail: info@westongallery.com

The Focus Gallery
15 Depot Court
Cohasset, MA 02025
781-383-0663
E-mail: vallinophoto@comcast.net