Archive for the ‘Nature’s Design’ Category

Sunbeams and Forest, Sierra Nevada Foothills, California 2010

Sunday, October 10th, 2010

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/1500 sec at f / 8.0__ISO 100

New photo from Thursday morning.  I think that this image will make a strong addition to my Morning Light portfolio.  Enjoy!

Bill

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Sunflowers

Wednesday, September 15th, 2010

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1/10 sec at f / 16__ISO 100

I have been watching my crop of sunflowers carefully now for several weeks, observing the flowers closely.  They say timing is everything, and yesterday morning I “harvested” this flower bringing it into my “studio” which in this case was the floor in my dining where there is great window light.   I am growing several species and wanted to catch this one while the strong spiral pattern was still visible.  All flowers are not created equal, so picking the right one is a highly selective process.


University of Cincinatti

This flower was placed in a cup full of water, and placed on top a piece of black velvet.  The lighting here is direct sunlight from one window.  The camera was aimed straight down at the flower.  I made two exposures using my Tilt Shift lens, first photographing one half and then shifting the lens to photograph the other half.  The two photos were merged using Photomerge in Photoshop CS5.

This approach gives me a square frame, which suits this round flower perfectly to me, and gives me a higher res file in case I need to do murals for my art consultant clients.   See photo one of my photos installed at the University of Cincinatti above.

Canon 90mm TS lens

If you haven’t used a TS lens before, I am attaching an iPhone snap I made showing the lateral, off axis shift that the lens can make.

I am also including another recent sunflower photo, made by the same technique.

Enjoy,

Bill

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1/3 sec at f / 19__ISO 100

Lily Flower

Wednesday, June 30th, 2010

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__6.0 sec at f / 22__ISO 100

I have a small pond adjacent to my backyard patio, and the lilies are in bloom!  I made this image on Sunday, using two frames stitched together in Photoshop CS5.  To fulfill my concept, I cut the flower, then placed it in a small bowl of water which in turn was placed on black velvet.  Aiming straight down, I “shifted” my Canon TS 90mm lens to include two halves of the flower in two separate exposures.  This techniques allows me to create a square format with Photomerge, which suits this flower shape to me.  It also gives me a bigger file:  PS Image Size reads this file as 206 MB.

Enjoy, and let me know your thoughts,   Bill

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Calla Lilies again…

Tuesday, May 11th, 2010

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__f / 32__ISO 100

Here is another image in my new Cally Lily series, this one from the third day of this setup.  As with the previous image, this photograph was made with Photomatix, this time with seven exposures.  The morning sun is coming through my window from the upper left hand corner.  I first saw this lighting effect on the previous morning, unplanned and unexpected, but I was so revved up I blew the composition.  So I noted the time in the EXIF data and returned to try again the next morning.  I didn’t move the large blossom, but needed to create better spacing between it and the small flower.

John and I have been using Adobe Photoshop CS5 for about one week, including HDR Pro.  I think it has great potential but we haven’t fully explored it yet.  More on that later…

I look forward to your comments.  Let me know which one you prefer!

Cheers,

Bill

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Calla Lily Heaven

Saturday, May 8th, 2010

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__f / 32__ISO 100

Earlier this week, I received three calla lilies to photograph.  For three days, I left them in a corner of my dining room where I have found magic light in the past (see blog post from October 2009).  I hung my every-ready black velvet on a chair behind the blossoms.  On the second day, the early morning sun glanced across this one flow.  Aiming downward, I needed f/32 and a little lens tilt to hold sharpness in the vase and flower.

Due to the wide contrast, I bracketed seven exposures that were one stop apart.  This image was made with six of those frames using Photomatix by my assistant John.  The exposure blend enabled us to show fine separation of tones in the white, nice shading in the green stems but left the background black.

I made about 700 exposures in various light, including some blurs and many 7-frame brackets, so I still have much editing to do.

Until I can polish up some more selects, I hope you enjoy this one.  Let me know your thoughts!

Cheers,  Bill

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