Canon EOS-1Ds Mark III__TS-E90mm f/2.8__6.0 sec at f / 22__ISO 100

I have a small pond adjacent to my backyard patio, and the lilies are in bloom!  I made this image on Sunday, using two frames stitched together in Photoshop CS5.  To fulfill my concept, I cut the flower, then placed it in a small bowl of water which in turn was placed on black velvet.  Aiming straight down, I “shifted” my Canon TS 90mm lens to include two halves of the flower in two separate exposures.  This techniques allows me to create a square format with Photomerge, which suits this flower shape to me.  It also gives me a bigger file:  PS Image Size reads this file as 206 MB.

Enjoy, and let me know your thoughts,   Bill

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Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__2.0 sec at f / 32__ISO 100

Life is full of lessons.  When I went to Yosemite Valley a few weeks ago, as with every spring for 33 years, I tried to create a new dogwood images.  I alwaya gravitate to the same tree where I have made best dogwood images.  I call it my Home Tree.  I tried a few frames of this tree again, but realized that my past images were better.  So I moved on.  Upriver, near Pohono Bridge, I worked along the river bank, looking for a “dogwood and river rapids” image.  Here is one I made in 1988, but this season at this same location, the dogwood were too sparse:  Dogwoods on the Merced River, Yosemite Valley, Yosemite National Park, California 1988.  Again, I tried a few frames anyway then headed upstream to another location where I have rarely photographed.  Unfortunately, I was running short on time since I needed to meet up with my 9 year old son Ravi’s Yosemite field trip group.  The first composition I tried was the one below.  The branches were graceful and full of blossoms.  The wind was light and there was little movement in the branches.  The water was high so the river was mostly dark with a few curving breaks of whitewater.  I am pleased with the image, but it is not up there with my best.

Finally, I spotted a dogwood tree next to the river that had a broken branch dangling in the rapid water.  The blossoms danced to the movement of the river like so many dancing fairies.  My first instinct was to use a fast shutter speed, so that the dogwood would be sharp.  Even if I could freeze the action of the tree, the river rapids would look stiff and unnatural.  So I turned my aperture down to f/32 to see what kind of impressionistic effect I could capture by allowing the blossoms to dance their dance and for the river to blur softly in the background.  Since only parts of the whole branches were being shaken by the strongly flowing river, this image has an intriguing blend of sharpness and softness.  I feel that the BW treatment adds to the delicate effect.

Lesson:  I find it important to visit locations where I feel at home.  In this case, it was my dogwood Home Tree, and in general, the stretch of dogwood trees below Pohono Bridge.  But in order to continue my own creative growth, and to raise the bar on my work, I needs to push myself to seek new views, new angles.  Each time I hope to better my best!

Let me know your thoughts about these two images.

Cheers,   Bill

Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/3 sec at f / 32__ISO 200

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__1.5 sec at f / 13__ISO 100

I am posting one of the waterfall photographs that I took on Mother’s Day in Yosemite.  It was raining as I photographed.  Using my Tilt Shift lens, I exposed three frames that I later stitched together using Photoshop CS5.  You might also enjoy seeing other panos in my Panoramic Portfolio on my web site.

This weekend, I photographed my irises and fields of lupine.  Hope to post some of them soon!

Cheers,

Bill

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Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/2 sec at f / 6.7__ISO 100

I continue to edit my Cally Lily images.  I made a few new Impressions of Light images.  Here is one of them.  Would love to hear your comments!

Cheers,   Bill

I haven’t had time to fully edit my Yosemite images from last weekend.  Soon, I hope!

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Impressions of Light – Digital Edition

Canon EOS-1Ds Mark III__TS-E90mm f/2.8__f / 32__ISO 100

Here is another image in my new Cally Lily series, this one from the third day of this setup.  As with the previous image, this photograph was made with Photomatix, this time with seven exposures.  The morning sun is coming through my window from the upper left hand corner.  I first saw this lighting effect on the previous morning, unplanned and unexpected, but I was so revved up I blew the composition.  So I noted the time in the EXIF data and returned to try again the next morning.  I didn’t move the large blossom, but needed to create better spacing between it and the small flower.

John and I have been using Adobe Photoshop CS5 for about one week, including HDR Pro.  I think it has great potential but we haven’t fully explored it yet.  More on that later…

I look forward to your comments.  Let me know which one you prefer!

Cheers,

Bill

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Canon EOS-1Ds Mark III__TS-E90mm f/2.8__f / 32__ISO 100

Earlier this week, I received three calla lilies to photograph.  For three days, I left them in a corner of my dining room where I have found magic light in the past (see blog post from October 2009).  I hung my every-ready black velvet on a chair behind the blossoms.  On the second day, the early morning sun glanced across this one flow.  Aiming downward, I needed f/32 and a little lens tilt to hold sharpness in the vase and flower.

Due to the wide contrast, I bracketed seven exposures that were one stop apart.  This image was made with six of those frames using Photomatix by my assistant John.  The exposure blend enabled us to show fine separation of tones in the white, nice shading in the green stems but left the background black.

I made about 700 exposures in various light, including some blurs and many 7-frame brackets, so I still have much editing to do.

Until I can polish up some more selects, I hope you enjoy this one.  Let me know your thoughts!

Cheers,  Bill

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Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__10.0 sec at f / 32__ISO 100

Here is another pier photograph from La Jolla.  This was my first session photographing the pier, and my previous post was taken at sunset on the same day.  For this image, I used my Singh Ray Vari-ND filter to extend the length of the exposure.  I waited for a wave to wash up near my tripod, and then watched for the reflection to develop as the surf pulled back.

Let me know your thoughts on this image, and which Scripts Pier image you like the best.  I prefer the sunset image, but still love them both!

Cheers,   Bill

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Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__76.0 sec at f / 22__ISO 100

Last week, my family and I enjoyed a vacation at the beach.  We stayed in La Jolla, a place I’ve been visiting since I was a small kid.  Spent one day at Seaworld, and another day at the beach.

I’ve noticed the Scripps Pier for years, and I’ve enjoyed other photographer’s images of piers.  But I’d never photographed one before, so this was my main focus on this trip.  I photographed at sunrise and sunset.  Here is one image I made, when it was nearly dark.  I got to the point where my meter would not give me a reading at my desired aperture of f/22 or f/32.  I could shoot with a wider aperture, but I would have lost good sharpness on the pier posts.  I quickly extrapolated a good exposure, took out my iphone to use its timer.  Started the exposure (with a cable release of course) and started the stop watch.  f/22 at 76 secs.  Focal length was 70mm.

I hope you enjoy this image!  Let me know your thoughts…

Bill

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My ebooks are high res PDFs that can be viewed on your computer of course, but also on your iPhone or iPad via the Good Reader app.

Canon EOS-1Ds Mark III__TS-E90mmf/2.8+2x Extender__1.5 sec at f / 2.8__ISO 100

Yesterday afternoon, and early this morning, I took about 550 frames of my purple plum trees which are in bloom.  I know about quality over quantity, but this is what happens when I get excited making Impressions of Light images!

I have barely started editing, but found this one to share.  Below you can see the setup I used for both the ice image, and this blur!  Ironic somehow…  For the blossom images, I added the Singh Ray Vari-ND filter, which I’ve used often for my Impressions images.  It allowed me to use the widest aperture for shallow depth of field, but still use a slow shutter speed.

In the next few days, I will edit and upload more new images to share.  For more Impressions of Light images, see my ebook:

Impressions of Light

Taken with my iPhone

Canon EOS-1Ds Mark III__TS-E90mmf/2.8+2x Extender__1.5 sec at f / 19__ISO 100

On Sunday morning, I discovered these great ice patterns in my bucket of landscape pebbles.  The “bucket” is a rectangular cement mixing bucket which I bought when I was building my waterfall feature on my back patio 9 years ago.  At the time, I noticed how vivid the stones were when wet, and started an ongoing series of the wet stone details.  Last year, I sold a 5×8 foot print of one of those!  Then, in winter I’ve noticed the bucket, filled with rainwater, will freeze over on cold, clear nights.  So now I also have a collection of ice pattern images!

If you are disappointed in learning that I didn’t make this image of a natural scene, I have my misgivings too.  For various reasons however, not least of which is that I am busy “surviving” in this economy and raising two children, this is where I find the most inspiration these days – in my back yard!

This photograph was made with my 90mm TS lens plus 2x Extender, camera turned horizontally, with front tilt near max to obtain full sharp across the ice.  I created five frames using the lens’s Shift function with incremental turns from far left to far, then stitched together with PS4’s Photomerge.  Even with the five background layers flattened, the final file is over 300MB.  Not quite as big as some of my 4×5 layered master files (which can be up to 1GB), but still very high res!  One has to enlarge the image in PS, or else print it at least 24″ to fully appreciate the intricate filigree patterns in the ice.

Other Bucket images:

Stones

Stones and Reflections