Archive for the ‘Macro Photography’ Category

LIGHT ON THE LANDSCAPE

Saturday, August 31st, 2019

Spring storm, Yosemite Valley, Yosemite National Park, California 1986

I am happy to announce my next book!

LIGHT ON THE LANDSCAPE: Photographs and Lessons from a Life in Photography.

To be published by Rocky Nook in the spring of 2020. A collection of photographs and essays based on my On Landscape column for Outdoor Photographer Magazine.

FROM THE PUBLISHER:

“For more than two decades, William Neill has been offering his thoughts and insights about photography and the beauty of nature in essays that cover the techniques, business, and spirit of his photographic life. Curated and collected here for the first time, these essays are both pragmatic and profound, offering readers an intimate look behind the scenes at Neill’s creative process behind individual photographs as well as a discussion of the larger and more foundational topics that are key to his philosophy and approach to work.

Drawing from the tradition of behind-the-scenes books like Ansel Adams’ Examples: The Making of 40 Photographs and Galen Rowell’s Mountain Light: In Search of the Dynamic Landscape, Light on the Landscape covers in detail the core photographic fundamentals such as light, composition, camera angle, and exposure choices, but it also deftly considers those subjects that are less frequently examined: portfolio development, marketing, printmaking, nature stewardship, inspiration, preparation, self-improvement, and more. The result is a profound and wide-ranging exploration of that magical convergence of light, land, and camera.

Filled with beautiful and inspiring photographs, Light on the Landscape is also full of the kind of wisdom that only comes from a deeply thoughtful photographer who has spent a lifetime communicating with a camera. Incorporating the lessons within the book, you too can learn to achieve not only technically excellent and beautiful images, but photographs that truly rise above your best and reveal your deeply personal and creative perspective—your vision, your voice.”

Winter Etchings

Saturday, February 9th, 2019

Greetings from Ahwahnee. Over last weekend, we had a massive storm hit Yosemite and the central Sierra Nevada. I hear eight feet of snow fell at Tioga Pass, and ten feet at Mammoth Mountain. That was over 4-5 days. At my location of 2000 ft, we had 3-4 inches. On Tuesday, I walked around my neighborhood, looking for SnowZen images. The first two images are from that day. I’ve also included an essay I wrote for Outdoor Photographer magazine a couple of years ago called Winter Etchings that seems fitting for the season.

Enjoy, and feel free to add comments or links to your own Winter Etchings!

PS Today, I finally figured out a way to have WordPress allow for each photograph to enlarge for a better view when you click on it… check it out.

 

Winter Oaks, Ahwahnee, California 2019

 

Grasses and snow, Ahwahnee, California 2019

 

Grasses, Boulder Creek, Boulder, Colorado 1976

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Winter Etchings

Tune into the graphic, elegant starkness of the season

 

I love photographing in winter. When trees are bare, their graceful forms are starkly revealed. The tones of beige and gray or black and white, form a subtle palette in the landscape. The lines of grass and shrub, ice and fallen leaves display themselves in simple, elegant design like a drawing or etching.

Winter photography offers us options at all scales. While winter scenes are less colorful than other seasons, I am drawn to their monochromatic qualities. Winter weather can often provide more interesting and dramatic skies with ominous clouds or clearing storms which work especially well with broad scenics.

Many of my favorite winter images are vignettes of the landscape such as my image of snow-covered branches. By zooming into a section of these oaks for my composition, the wonderful texture of the snow comes alive, and their lines form a dynamic graphic design that fills the frame. This image was made with my 4×5 camera and a Nikkor 360mm lens.

 

Black oak branches in winter, Yosemite Valley, Yosemite National Park, California 1994

Among my favorite winter subjects are ice details. The endless patterns and textures fascinate me. When I first picked up a camera in college, I explored Boulder Creek in Colorado on cold winter mornings before heading to class, making close-up images of the crystalline forms. The Merced River in Yosemite is now my “go to” location for ice imagery. I often find back eddies where ice forms around grasses at the water’s edge. These areas receive very little sun during the winter due to the high granite cliffs that form the valley’s southern rim.  

I seek out compositions, like my Oak Leaf and Ice Crystals photograph, where brightly lit cliffs reflect in the ice to heighten their patterns. Currently, my favorite camera/lens combo is the Sony A7R2, Metabones adapter with my Canon 90mm Tilt-Shift lens. In order to pick up the cliff reflections, I often need to use a low camera position. The lens’s tilt function helps me maintain sharpness throughout the depth of the subject area as I used the same tilt function with my view camera. Although the ice is the main subject, I used the oak leaf as a small focal point of interest and context within an otherwise abstract pattern of ice.

Crystal Ice and oak leaf, Yosemite Valley, Yosemite National Park, California 2015

 

When you are creating your own winter compositions, tune into the graphic designs to be found in the landscape. Study the winter photographs by the great masters of landscape photography such as these classic photographs: “Chicago, Trees in Snow, 1950” by Harry Callahan; “Redding, Connecticut, 1968” by Paul Caponigro; “Pine Forest in Snow, Yosemite National Park, 1932” by Ansel Adams; or “Stark Tree, 1956” by Wynn Bullock.

If you have a case of cabin fever this winter, give yourself the assignment of producing a winter portfolio of new images. Get out to your favorite local woods, lake or stream where you can return often in various weather and light. Working locally will give you many more opportunities to be out there after a fresh snowfall, or after a hard freeze when ice is everywhere. After all, it is only through practice that you will ready to make your next great photograph. Enjoy the season!

 

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For information about William Neill’s books, posters and workshops, visit WilliamNeill.com and sign up for his newsletter updates. You can find his ebooks in his online store.

William Neill – Photographer, a Retrospective

Introductory Essays by Art Wolfe and John Weller
Size: 295mm x 295mm (11.6×11.6 inches)
Pages: 224
Photographic Illustrations: 151

 

My Favorite Photographs of 2018

Monday, December 31st, 2018

NOTE: Five new images have been added at the bottom of this post after the initial upload. The Impressions of Light images were taken during the last light of 2018.

Greetings from the Sierra Nevada. It is that time of year again when we all look back at the events of last year and look forward to the year ahead. Many photographers have developed the good habit of editing a collection of their favorite images for the year. The process of self-assessment is a vital part of artistic growth. In the day-to-day rush of life, we don’t often stop to see trends in our own image-making. By turning back the clock, we can see if we’re stuck in a rut or are hopefully making great progress.

I have included capture details and presented the images in chronological order. I hope you will visit my blog and add your comments or favorites at the bottom of the page.

May 2019 brings you joy, peace, and exciting photographic opportunities.

Cheers to a happy and healthy New Year!   Bill

Best of 2014
Best of 2015

Best of 2016

Best of 2017

 


Stones, Ahwahnee, California 2018
Sony ILCE-7RM2, 90mm F2.8,
1/3 second at f/13, ISO 80

 


Mule’s Ears Leaves, Ahwahnee, California 2018
Sony ILCE-7RM2, 90mm F2.8,
1/2 second at f/16, ISO 100

 


Ice Patterns, Ahwahnee, California 2018
Sony ILCE-7RM2, 90mm F2.8,
1/6 second at f/13, ISO 100

 


Oak Branches, Ahwahnee, California 2018
Sony ILCE-7RM2, 16-35mm F2.8 G SSM II,
1/4 second at f/16, ISO 400

 


Pine Branches, Ahwahnee, California 2018
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1.60 second at f/25, ISO 100

 


Pine Branches and Cones, Ahwahnee, California 2018
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1.60 second at f/25, ISO 100

 


Pear tree in bloom, Fresno, California 2018
Sony ILCE-7RM2, 16-35mm F2.8 G SSM II,
1/100 second at f/13, ISO 640

 


Purple Plum Blossoms #2, 2018
Sony ILCE-7RM2, 90mm F2.8,
1/1 second at f/22, ISO 100

 


Oaks and Fog, Ahwahnee, California
SonyILCE-7RM2, 70-200mm F2.8 G SSM,
1/2 second at f/32, ISO 100

 


Pine and Sunbeams, Ahwahnee, Calfornia 2018
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1/1600 second at f/22, ISO 100

 


Plum Blossoms #5
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1/40 second at f/20, ISO 400

 


Orchid
Sony ILCE-7RM2, 90mm F2.8,
1.60 second at f/22, ISO 100

 


Day Lily
Sony ILCE-7RM2, 90mm F2.8,
1.30 second at f/25, ISO 100

 


Spring Oak, Ahwahnee, California 2018
Sony ILCE-7RM2, EF16-35mm f/2.8L II USM,
1/200 second at f/16, ISO 800

 


Sunrise over Yosemite Valley, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF70-200/2.8L USM,
1/125 second at f/16, ISO 100

 


Ponderosa Pine and Incense Cedar trees, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF70-200/2.8L USM,
1 second at f/16, ISO 100

 


Sunrise over Yosemite Valley, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF16-35mm f/2.8L II USM,
1/160 second at f/16, ISO 100

 


Upper Yosemite Fall, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1000 second at f/5.6, ISO 800

 


Cascade Falls, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/8 second at f/40, ISO 100

 


Salsify, Ahwahnee, California 2018
Sony ILCE-7RM2, #10 50/2.4,
1/750 second at f/2.4, ISO 1000

 


Peacock Feather, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/2 second at f/29, ISO 100

 


Mushrooms, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/2 second at f/20, ISO 100

 


Mushroom, Ahwahnee, California 2018
Sony ILCE-7RM2, #10 50/2.4,
1/1 second at f/16, ISO 100

 


Stone, 2018
Sony ILCE-7RM2, #10 50/2.4,
1/8 second at f/32, ISO 100

 


Ammonite Fossil, 2018
Sony ILCE-7RM2, #127 90/2.8,
1/5 second at f/22, ISO 100

 


Salt Crystals 2018
Sony ILCE-7RM2, #127 90/2.8,
1/3 second at f/18, ISO 100

 


Succulent, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
13 second at f/25, ISO 100

 


Merced River Reflections, autumn, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
3.20 second at f/29, ISO 100

 


Ripples, Merced River, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/80 second at f/16, ISO 800

 


Backlit Elm Branches, autumn, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF24-105/4L IS USM,
1/10 second at f/22, ISO 400

 


Blackberry Leaves, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/2 second at f/13, ISO 100

 


Grasses and Ice, Merced River, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/32, ISO 100

 


Dogwood and Forest, autumn, Yosemite National Park, California 2018
SonyILCE-7RM2, EF24-105/4L IS USM,
1/6 second at f/16, ISO 400

 


California Quail feathers, Ahwahnee, California 2018
Sony ILCE-7RM2, #10 50/2.4,
1/1 second at f/16, ISO 100

 


Bougainvillea petals, La Quinta, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/125 second at f/16, ISO 800

 

Thank you for viewing my photographs. I hope you will leave your comments below.

Happy New Year!

 

Here are a few images I’d like to add to the list. The first BW was simply missed during the upload. The impressionistic images were taken after I uploaded, taken during the last light of 2018!


Cathedral Spire and Mists, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6000 second at f/5.6, ISO 500

 


Grasslands at sunset, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1 second at f/11, ISO 100

 


Grasslands and sunset, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
3.20 second at f/5.6, ISO 100


Grasslands at twilight, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
2.50 second at f/16, ISO 100


Grasslands and hills at twilight, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
2 second at f/5.6, ISO 100

The Fine Art of Nature for the Holidays

Sunday, November 26th, 2017

Greeting from Yosemite! It is that time of year when we start shopping for holiday gifts. I’ve provided you with a list of options that feature my photography. I hope that the holiday season is a happy and healthy one for you.

Happy Holidays,  Bill

____________________________________________

On the Williams Sonoma online store, my photograph “California Nautilus Shell” is available. At the moment, the price of this large archival photograph is seriously discounted.

Exclusively From Williams Sonoma:
CLICK TO PURCHASE

  • 50.25″L x 1″W x 28.75″H, overall.
  • Giclée print signed by the photographer.
  • Set behind Plexiglas and double-thick beveled mats.
  • Wood frame has a painted, high-gloss finish.
  • Ready to hang with D-rings at the back.

_________________________________________________

On the Artful Home, my print “Agave” is available. For details, CLICK HERE. The photograph is handprinted by me here in my studio.

Image Dimensions:  16″H, 20″W
Overall Dimensions:  22″H, 24″W

 

________________________________________________________

 

Original photographs are the highest representation of my art. For pricing information, please contact one of the galleries listed on my Gallery Representation page. Each gallery’s link below features a variety of prints from large format color landscapes to my Impressions of Light series.

The Ansel Adams Gallery
800-568-7398
E-mail: evan@anseladams.com

Susan Spiritus Gallery
714-754-1286
E-mail: susan@susanspiritusgallery.com

The Weston Gallery
831-624-4453
E-mail: info@westongallery.com

The Focus Gallery
781-383-0663
E-mail: vallinophoto@comcast.net

Paragone Gallery
Francie Kelley
310-659-0607
Email: mail@paragonegallery.com

Favorite Photographs of 2014

Tuesday, December 27th, 2016

NOTE: I am reposting my Favorite Photographs of 2014 due to a past crash of my blog site…

 

Happy New Year!  I finally put together my favorite photographs from 2014.  It is always helpful to take the occasional assessment of our own creative progress. You might be interested in reading an essay I wrote on the subject five years ago in my On Landscape column for Outdoor Photographer on this subject.  Since I started teaching private workshop sessions in Yosemite, I’ve been visiting Yosemite Valley much more often so you will see a batch of new Yosemite images taken this past year.

If you have been following my work this past year, you know that my big trip of the year was to Antarctica last January. Click here to read my Outdoor Photographer magazine On Landscape column, and recent Antarctic Dreams portfolio in OP and see below!

I have numbered each image, which will make it easier for you to let me know which ones are your favorites.  It will be fun and helpful for me to have your feedback.  I will value a list of favs, or general thoughts on what work you respond to the most.  After I assess your feedback, I will then make a final edit of 10-15 that are my top selects of the year.  My criteria for that final selection will be based on which images I feel best represents my personal vision and style rather than the most popular ones.  If you have your own post of top images for 2014, please add your link in your comments below.

I look forward to your comments and favorites for my 2014 portfolio.  Enjoy and please share with your friends!

I wish you a year full of the gifts of nature, peace and love,  Bill

PS  The photographs below are in chronological order.

Yosemite Private Workshops

 


Clouds and Shadows, Bransfield Strait, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/8000 second at f/9.5, ISO 800


Morning light, Gerlache Strait, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/1000 second at f/11, ISO 1600


Early morning light, Antarctic Peninsula, Antarctica
January 29, 2014 06:18:31
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/750 second at f/11, ISO 1600


Ancient crystal Iceberg, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/750 second at f/16, ISO 1600


Blue Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/750 second at f/22, ISO 1600


Glowing Glacier, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/8000 second at f/11, ISO 1600


Two Humpback Whales and Iceberg, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1500 second at f/11, ISO 800


Two Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/3000 second at f/11, ISO 800


Icebergs and Sunset, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/3000 second at f/5.6, ISO 800

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/180 second at f/13, ISO 800


Iceberg at Dawn, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/2000 second at f/2.8, ISO 400


Iceberg Towers at Dawn, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/4000 second at f/2.8, ISO 400


Iceberg Arch, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/500 second at f/9.5, ISO 400


Crabeater seal resting on an iceberg, Pléneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/350 second at f/9.5, ISO 400


Iceberg Sculpture, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/125 second at f/19, ISO 800


Sunset, Pleneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1500 second at f/6.7, ISO 800


Rolling iceberg, Scontorp Cove in Paradise Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/250 second at f/19, ISO 400


Glaciers, Scontorp Cove in Paradise Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/1500 second at f/19, ISO 800


Mountains and Glaciers at Scontorp Cove, Paradise Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/1500 second at f/16, ISO 800


Chinstrap Penguins entering surf, Baily Head on Deception Island, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/3000 second at f/8, ISO 800


Chinstrap Penguins, Baily Head on Deception Island, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1500 second at f/13, ISO 1250


Young Antarctic fur seal, Baily Head on Deception Island, Anarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/250 second at f/9.5, ISO 1250


Roses II
Canon EOS-1Ds Mark III, EF50mm f/2.5 Compact Macro,
6 second at f/22, ISO 100


Waterfall on Lee Vining Creek, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/3 second at f/19, ISO 100


Seastacks at Sunset, Rialto Beach, Olympic National Park. Washington 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
3 second at f/22, ISO 100


Ferns, Hoh Rain Forest, Olympic National Park, Washington 2014
Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM,
15 second at f/19, ISO 100


Avalanche Lily, Olympic National Park, Washington 2014
iPhone 5, iPhone 5 back camera 4.12mm f/2.4,
1/200 second at f/2.4, ISO 50


Backlit Aspen, June Lake Loop, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM,
1/250 second at f/16, ISO 640


Autumn Reflections, Lundy Canyon, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/15 second at f/32, ISO 400


Last Light, Conway Summit, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/15 second at f/19, ISO 200


Aspen Forest Impressions #3 , Lee Vining Canyon, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
3 second at f/9.5, ISO 100


Aspen Leaves, Lee Vining Canyon, Inyo National Forest, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
3 second at f/32, ISO 200


Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/180 second at f/22, ISO 200


Yellow Maples, Cedar and Pine, Yosemite Valley, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1.50 second at f/16, ISO 640


Cottonwoods reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/22, ISO 100


Maples Leaves and Merced River Reflections, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM +2x,
1/1 second at f/45, ISO 400


Grasses and El Capitan reflected in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/6 second at f/32, ISO 200


Grasses reflected, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/1000 second at f/2.8, ISO 800


Grasses and reflections in the Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/350 second at f/2.8, ISO 200


Maple leaf and autumn reflections, Merced River, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/60 second at f/4.5, ISO 320


Thimbleberry Leaves, autumn, Yosemite National Park, California 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
2 second at f/32, ISO 400


River otters, American River, Sacramento, California 2014
Canon EOS 5D Mark III, EF100-400mm f/4.5-5.6L IS USM,
1/350 second at f/5.6, ISO 1250