Archive for the ‘Impressions of Light’ Category

My Favorite Photographs of 2018

Monday, December 31st, 2018

NOTE: Five new images have been added at the bottom of this post after the initial upload. The Impressions of Light images were taken during the last light of 2018.

Greetings from the Sierra Nevada. It is that time of year again when we all look back at the events of last year and look forward to the year ahead. Many photographers have developed the good habit of editing a collection of their favorite images for the year. The process of self-assessment is a vital part of artistic growth. In the day-to-day rush of life, we don’t often stop to see trends in our own image-making. By turning back the clock, we can see if we’re stuck in a rut or are hopefully making great progress.

I have included capture details and presented the images in chronological order. I hope you will visit my blog and add your comments or favorites at the bottom of the page.

May 2019 brings you joy, peace, and exciting photographic opportunities.

Cheers to a happy and healthy New Year!   Bill

Best of 2014
Best of 2015

Best of 2016

Best of 2017

 


Stones, Ahwahnee, California 2018
Sony ILCE-7RM2, 90mm F2.8,
1/3 second at f/13, ISO 80

 


Mule’s Ears Leaves, Ahwahnee, California 2018
Sony ILCE-7RM2, 90mm F2.8,
1/2 second at f/16, ISO 100

 


Ice Patterns, Ahwahnee, California 2018
Sony ILCE-7RM2, 90mm F2.8,
1/6 second at f/13, ISO 100

 


Oak Branches, Ahwahnee, California 2018
Sony ILCE-7RM2, 16-35mm F2.8 G SSM II,
1/4 second at f/16, ISO 400

 


Pine Branches, Ahwahnee, California 2018
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1.60 second at f/25, ISO 100

 


Pine Branches and Cones, Ahwahnee, California 2018
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1.60 second at f/25, ISO 100

 


Pear tree in bloom, Fresno, California 2018
Sony ILCE-7RM2, 16-35mm F2.8 G SSM II,
1/100 second at f/13, ISO 640

 


Purple Plum Blossoms #2, 2018
Sony ILCE-7RM2, 90mm F2.8,
1/1 second at f/22, ISO 100

 


Oaks and Fog, Ahwahnee, California
SonyILCE-7RM2, 70-200mm F2.8 G SSM,
1/2 second at f/32, ISO 100

 


Pine and Sunbeams, Ahwahnee, Calfornia 2018
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1/1600 second at f/22, ISO 100

 


Plum Blossoms #5
Sony ILCE-7RM2, 70-200mm F2.8 G SSM,
1/40 second at f/20, ISO 400

 


Orchid
Sony ILCE-7RM2, 90mm F2.8,
1.60 second at f/22, ISO 100

 


Day Lily
Sony ILCE-7RM2, 90mm F2.8,
1.30 second at f/25, ISO 100

 


Spring Oak, Ahwahnee, California 2018
Sony ILCE-7RM2, EF16-35mm f/2.8L II USM,
1/200 second at f/16, ISO 800

 


Sunrise over Yosemite Valley, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF70-200/2.8L USM,
1/125 second at f/16, ISO 100

 


Ponderosa Pine and Incense Cedar trees, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF70-200/2.8L USM,
1 second at f/16, ISO 100

 


Sunrise over Yosemite Valley, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF16-35mm f/2.8L II USM,
1/160 second at f/16, ISO 100

 


Upper Yosemite Fall, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1000 second at f/5.6, ISO 800

 


Cascade Falls, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/8 second at f/40, ISO 100

 


Salsify, Ahwahnee, California 2018
Sony ILCE-7RM2, #10 50/2.4,
1/750 second at f/2.4, ISO 1000

 


Peacock Feather, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/2 second at f/29, ISO 100

 


Mushrooms, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/2 second at f/20, ISO 100

 


Mushroom, Ahwahnee, California 2018
Sony ILCE-7RM2, #10 50/2.4,
1/1 second at f/16, ISO 100

 


Stone, 2018
Sony ILCE-7RM2, #10 50/2.4,
1/8 second at f/32, ISO 100

 


Ammonite Fossil, 2018
Sony ILCE-7RM2, #127 90/2.8,
1/5 second at f/22, ISO 100

 


Salt Crystals 2018
Sony ILCE-7RM2, #127 90/2.8,
1/3 second at f/18, ISO 100

 


Succulent, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
13 second at f/25, ISO 100

 


Merced River Reflections, autumn, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
3.20 second at f/29, ISO 100

 


Ripples, Merced River, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/80 second at f/16, ISO 800

 


Backlit Elm Branches, autumn, Yosemite National Park, California 2018
Sony ILCE-7RM2, EF24-105/4L IS USM,
1/10 second at f/22, ISO 400

 


Blackberry Leaves, Ahwahnee, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/2 second at f/13, ISO 100

 


Grasses and Ice, Merced River, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/32, ISO 100

 


Dogwood and Forest, autumn, Yosemite National Park, California 2018
SonyILCE-7RM2, EF24-105/4L IS USM,
1/6 second at f/16, ISO 400

 


California Quail feathers, Ahwahnee, California 2018
Sony ILCE-7RM2, #10 50/2.4,
1/1 second at f/16, ISO 100

 


Bougainvillea petals, La Quinta, California 2018
Sony ILCE-7RM2, #127 90/2.8,
1/125 second at f/16, ISO 800

 

Thank you for viewing my photographs. I hope you will leave your comments below.

Happy New Year!

 

Here are a few images I’d like to add to the list. The first BW was simply missed during the upload. The impressionistic images were taken after I uploaded, taken during the last light of 2018!


Cathedral Spire and Mists, Yosemite National Park, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6000 second at f/5.6, ISO 500

 


Grasslands at sunset, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1 second at f/11, ISO 100

 


Grasslands and sunset, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
3.20 second at f/5.6, ISO 100


Grasslands at twilight, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
2.50 second at f/16, ISO 100


Grasslands and hills at twilight, Madera County, California 2018
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
2 second at f/5.6, ISO 100

Impressions

Saturday, September 15th, 2018

Autumn tree reflections on Bubble Pond, Acadia National Park, Maine 1992

Impressions
(revised from 2003 essay published in Outdoor Photographer.)

I enjoy impressionistic art. As a teenager, my mother worked as a docent at the National Art Gallery when we lived near Washington, D.C., so I often had the chance to visit the exhibits.  I was captivated by the en Plein air approach of Monet and by the pointillism of Van Gogh I viewed there.  Art soon became my favorite class during my high school years. My intrigue with the Impressionist movement led to my experiments with blurred many images years later.

The sensation of light and the emotion of seeing a beautiful moment are the qualities of the style I like.   Impressionism, the French school of painting that developed in the late 1800s, has been defined as a method of depicting transitory visual impressions. One early adherent advised other painters to “submit to the first impression” of what they saw.  This idea, in part, can be attributed to the invention of photography in the previous century.  The Impressionist painters saw the enormous potential of revealing the frozen moments of time as seen in photographs.

In their work, the Impressionists chose to emphasize their direct sensory and emotional responses devoid of intellectual thought.  Painters such as Claude Monet were fascinated by the ever-changing lighting conditions outdoors, and they would return to paint the same scene at different times or weather conditions.   More traditional painters of the day painted only in their studios.  The Impressionists painted on location, working quickly to capture the moment before the light changed.  How similar this sounds to landscape photography!

A critical photographic idea grew out of, at least in part, from Impressionism’s sensory method. The concept of the Equivalent, developed by Alfred Steiglitz, relies on the photographer’s intuitive response to a scene to create an emotional equivalent.  Mentored by Steiglitz, Ansel Adams and Minor White taught this approach to their students.  They used the idea in their own work, applying it using straight photographic technique rather than altering reality.  Reflecting on his own path, Adams once wrote, “If I feel something strongly, I would make a photograph, that would be the equivalent of what I saw and felt…. I’m interested in expressing something which is built up from within, rather than just extracted from without.”

Freeman Patterson, in his book Photo Impressionism and the Subjective Image, discusses another approach, writing “the “impressionist” photographer deliberately abandons physical exactitude in the belief that he or she can convey the reality of feeling more effectively by doing so.”  Patterson wishes to “help photographers venture into some aspects of the non-literal world of photography and to create (or, for that matter, to record) impressions that convey a truth of feeling or spirit.”  If you are frustrated creatively with traditional methods, you might explore this option.

Most of us photograph the landscape by attempting to capture special events in nature, such as mountains in dramatic light, in a realistic and documentary style. Such literal imagery, if composed well and heartfelt, can speak powerfully about the beauty of the land and express the photographer’s unique perspective.   The danger in this straightforward approach is that images can be so blandly descriptive that the viewer is left unengaged and the artist’s viewpoint unapparent.

For the most part, I photograph directly and realistically.  There is usually little doubt that the subject existed as seen in the photograph.  Ideally, the scene is transformed in a magical way, via composition or light, to make an extraordinary image.  When I make abstractions of nature, the reality of the image is only a question because the exposure itself has altered the reality, such as with blurring water, or that I have isolated the object from surrounding clues, not because I have changed reality.

It seems to me that there is a continuum of possibilities between realistic photographs and photo impressionism, a gray (middle gray?) area where photographs have the attributes of both.  “Autumn tree reflections on Bubble Pond, Acadia National Park, Maine 1992″ is a photograph that depicts reality impressionistically.  I exposed the image with my 4×5 camera with a single exposure.  The only factor that “distorts” reality is that the shutter speed used blurred the reflections.  Is blurred water reality?  Is it more real if a fast shutter speed stops the water’s action?  The answers are less important to me than being open to exploring artistic options and having the willingness to experiment in hope for creative inspiration.

My photograph here was made using straight photographic technique, yet evokes an impressionistic feel, returning me to that brilliant autumn afternoon, when harmonious colors blurred in water, like a painting!

______________________

For information about William Neill – Photographer, A Retrospective, private workshops and to connect via social media, visit WilliamNeill.com to sign up for his newsletter updates.

Open Studio Tour coming soon! Sierra Art Trails – October 5, 6 and 7!

Thursday, August 16th, 2018

The photo above shows what my living room looks like during Sierra Art Trails.

We are very pleased to announce that we will be open again for Sierra Art Trails 2018, which is celebrating 16 years of supporting the Arts in the Yosemite Foothills! Mark your calendar for Friday, Saturday and Sunday, October 5th, 6th and 7th from 10 AM to 6PM. My home studio will be full of my fine art prints, books, and posters. Come visit me, and you can also visit Yosemite while in the area!

NEW BOOK

Featured this year will be my new retrospective William Neill – Photographer, a Retrospective. The first printing is now in limited supply so consider coming to my studio for your own signed copy. To learn more about the book, to read what “others are saying” see here:

 

Book Reviews
TERRA GALLERIA BOOK REVIEW
ON LANDSCAPE BOOK REVIEW
LANDSCAPE PHOTOGRAPHY MAGAZINE BOOK REVIEW
THE ONLINE PHOTOGRAPHER

Book Essays
THE LUMINOUS LANDSCAPE
OUTDOOR PHOTOGRAPHER


INVENTORY SALE!

Once each year, I offer discounts on a large number of prints in inventory.  The good news is that I have so many photographs, but not enough space in my office, so CLEARANCE is the key word!

I hope to see many old friends and meet new ones too!  Let me know if you think you can make it, and ask any questions if you have them. Also, please share this with friends who you think might be interested. Thanks!

See the official website for more details.
http://www.sierraarttrails.org/index.html

Cheers,  Bill

The cost of admission is $20.00 for all participating venues and includes the Sierra Art Trails Catalog, your “ticket for two” for the event. The catalog includes a list of participating artists, examples of their work, and maps to the locations of artists’ studios, galleries, and other viewing locations.  Artists are scattered throughout our mountain communities. Your catalog and map will guide you to each artist’s venue.

See the official website for more details.
http://www.sierraarttrails.org/index.html

Open Studio – Sierra Art Trails on Sept. 30, Oct. 1 and Oct 2!

Monday, August 29th, 2016

Neill Open Studio

We are very pleased to announce that we will be open for Sierra Art Trails 2016, which is celebrating 14 years of supporting the Arts in the Yosemite Foothills! Mark your calendar for Friday, Saturday and Sunday, September 30th through October 2nd from 10AM to 6PM. My home studio will be full of my fine art prints, books, and posters. Come visit me, and you can also visit Yosemite while in the area!

INVENTORY SALE! Once each year, I offer discounts on a large number of prints in inventory.  The good news is that I have so many photographs, but not enough space in my office so CLEARANCE is the key word!

I hope to see many old friends and meet new ones too!  Let me know if you think you can make it, and ask any questions if you have them. Also, please share this with friends who you think might be interested. Thanks!

See the official website for more details.
http://www.sierraarttrails.org/index.html

Cheers,  Bill

The photo above shows what my living room looks like during Sierra Art Trails.

The cost of admission is $20.00 for all participating venues and includes the Sierra Art Trails Catalog, your “ticket for two” for the event. The catalog includes a list of participating artists, examples of their work, and maps to the locations of artists’ studios, galleries, and other viewing locations.  Artists are scattered throughout the area. Your catalog and map will guide you.

 

Photographs by William Neill, slideshow by PhotoShelter

Tuesday, March 17th, 2015

I have been preparing for a new advertising campaign targeted at art consultants, galleries, and collectors. In order to increase the impact of my William Neill Photography web site’s home page, I went to my PhotoShelter account and created the slideshow below.  Many new images are shown, as well as some of my classic nature photographs.

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Enjoy, and please share with friends and add your comments below. Do you have a slideshow you’d like to share? Add your links below!

See any photographs that you would like to see on your wall at home or office?

William Neill’s photographs may be viewed at these
fine art galleries:

The Ansel Adams Gallery
Yosemite National Park
On The Village Mall
Yosemite, California 95389
800-568-7398
E-mail: evan@anseladams.com

Susan Spiritus Gallery
3929 Birch Street
Newport Beach, CA 92660
949-474-4321
E-mail: susan@susanspiritusgallery.com

Mountain Light Gallery
106 S. Main Street
Bishop, CA 93514
760-873-7700
E-mail: gallery@mountainlight.com

The Weston Gallery
6th Avenue & Lincoln
P.O. Box 655
Carmel, CA 93921
831-624-4453
E-mail: info@westongallery.com

The Focus Gallery
15 Depot Court
Cohasset, MA 02025
781-383-0663
E-mail: vallinophoto@comcast.net