Springtime in Paradise

During the last few weeks, I’ve visited Yosemite Valley several times and I’d like to share my new images with you. Having lived in or nearby the Valley for forty years, it would be all too easy to become jaded or bored photographing the small area for so long. Over the course of a year, I really don’t visit that often. However, whenever I go I find something amazing and wonderous to see, and sometimes photograph. When sharing this beauty with my students, I reengage with and refresh my long love affair with this sanctuary, this paradise.

I hope you enjoy this collection, and that you’ve had a chance to engage with springtime in your areas. Please let me know your favs and add your comments below!

Kind regards, Bill

PS To learn more about my Yosemite Private Workshops, click HERE.


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/18, ISO 400

 


Dogwood and Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/18, ISO 100

 


Waterfall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/20, ISO 100

 


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1000 second at f/18, ISO 100

 


Horsetail Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/800 second at f/18, ISO 100

 


Moon over Glacier Point, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/25 second at f/5.6, ISO 400

 


Dogwood along the Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/3 second at f/16, ISO 100

 


Spring sunrise over Yosemite Valley, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/40 second at f/11, ISO 100

 


Spring Elm, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 16-35mm F2.8 GM,
1/20 second at f/14, ISO 100

 


Upper Yosemite Fall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/5.6, ISO 200

 


Waterfall and Mist, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/1600 second at f/7.1, ISO 200

 


Dogwood over the Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/6 second at f/22, ISO 100

 


Rock and Waterfall, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/32, ISO 100

 


Spring dogwood, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/18, ISO 100

 


Spring dogwood and Merced River, Yosemite National Park, California 2019
Sony ILCE-7RM2, FE 100-400mm F4.5-5.6 GM OSS,
1/2 second at f/25, ISO 100

 

Published by William Neill

William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in Nature. Neill's award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill received a BA degree in Environmental Conservation at the University of Colorado. In 1995, Neill received the Sierra Club's Ansel Adams Award for conservation photography. Neill's assignment and published credits include National Geographic, Smithsonian, Natural History, National Wildlife, Conde Nast Traveler, Gentlemen's Quarterly, Travel and Leisure, Wilderness, Sunset, Sierra and Outside magazines. Also, he writes a monthly column, On Landscape, for Outdoor Photographer magazine. Feature articles about his work have appeared in Life, Camera and Darkroom, Outdoor Photographer and Communication Arts, from whom he has also received five Awards of Excellence. His corporate clients have included Sony Japan, Bayer Corporation, Canon USA, Nike, Nikon, The Nature Company, Hewlett Packard, 3M, Freidrick Grohe, Neutrogena, Sony Music/Classical, University of Cincinnati, UBS Global Asset Management. His work was chosen to illustrate two special edition books published by The Nature Company, Rachel Carson's The Sense of Wonder and John Fowles's The Tree. His photographs were also published in a three book series on the art and science of natural process in collaboration with the Exploratorium Museum of San Francisco: By Nature's Design (Exploratorium / Chronicle Books, 1993), The Color of Nature (Exploratorium / Chronicle Books, 1996) and Traces of Time (Chronicle Books / Exploratorium, Fall 2000). A portfolio of his Yosemite photographs has been published entitled Yosemite: The Promise of Wildness (Yosemite Association, 1994) which received The Director's Award from the National Park Service. A retrospective monograph of his landscape photography entitled Landscapes Of The Spirit (Bulfinch Press/Little, Brown, 1997) relates his beliefs in the healing power of nature. William has taught photography since 1980 for such prestigious organizations as The Ansel Adams Gallery, the Friends of Photography, Palm Beach Photographic Workshops, The Maine Workshops and Anderson Ranch Workshops. He specializes in landscape and nature photography and is concerned with conveying the beauty seen in Nature. Currently, he teaches online courses for BetterPhoto.com and One-on-One Workshops in his home studio near Yosemite National Park.

6 replies on “Springtime in Paradise”

  1. Marvelous moon shot! The B&Ws are thought provoking (especially Upper Yosemite Fall), and the water shots are highly evocative. Enjoyed seeing them all.

  2. Thanks gor sharing your work!!

    In Kelowna, BC is a small Japanese garden and when I lived there I tried to visit once a week. Over several years I made more than a thousand images in the small space. I won’t say they were all good images but I will say that inspiration is on the inside. Perspective IS Everything.

    Mike.

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