Come join me for a private workshop session in Yosemite!

Autumn Elm and Sunbeams, Cook’s Meadow, Yosemite National Park, California 2014

 

Rock and Water, Cascade Falls, Yosemite National Park, California 2011 / Canon EOS-1Ds Mark III__EF70-200mm f/2.8L USM__1/2 sec at f / 27__ISO 320
Rock and Water, Cascade Falls, Yosemite National Park, California 2011

I have been running my Yosemite Private Workshops for ten years now. Although I taught group workshops around the world starting in the early 1980s, I have greatly enjoyed the one-on-one sessions and personal connections I’ve had while showing my approach to landscape photography in my beloved Yosemite Valley.

The best times to come photograph YV are the last two weeks of April and the first two weeks of May, or the end of October or the first two weeks of November.

Here are a few endorsements from past students:

Bill Henderson:      My William Neill workshop experience was exceptional! The most significant outcome was the change in perspective. Bill finds images everywhere, his ability to see photographically is something you can’t learn from reading, it’s a gift from many years of hard work and study. This is what I found so interesting and helpful.

Now I didn’t walk away with his skill, but I learned something significant that has stayed with me. I still find that workshop useful today.”

Rick Hardt:      “I have always been drawn to Bill’s work, because I think he leads the pack in the arena of “Less is More”.  His images define the idea of “Clean and Simple”.  Through that perspective, he communicates powerful feeling that I don’t often see in other areas.

He is extremely present and open during the process.  What I felt from him was kindness and patience.  I never felt judged for my lack of experience or ability.   Seeing through his eyes for subject matter and lighting really opened my eyes to things that I’d completely missed before.

In the end, I walked away with a pocket full of images that I cherish to this day, AND a much better understanding of how to get more on my own.

Lastly and most importantly, the conversations that we had during those times, often come to mind when I’m in the field looking for new images. 

I continue to get benefit from a class that I took some time ago.  Amazing.

 

Bob Cole:    “I greatly appreciated the personal attention Bill provided in our two-student, two-day Private Workshop. The limit to one or two students is a significant advantage. There were many other photography workshops happening in Yosemite Valley at the same time, with van loads of students for one or two instructors. Bill’s Private Workshops are simply superior in the personal attention he provides.

                The Private Workshop provided a great opportunity to explore Yosemite beyond the obvious icons. Bill provides a wealth of information about the Yosemite environment and history. Understanding the place is important to helping one see the what is really there beyond the often photographed icons. This leads to more photographic possibilities. Bill helps the student “see” nature in new ways that translate into stronger, more creative photographs.

                I created better images during the two-day Private Workshop, and that improvement continued after it was over. When I consider the many ways photographers spend their resources on cameras, lenses, other gear, software, and travel, I can think of no more effective way to improve one’s photography than the William Neill Private Workshop.

 

Antoinette Addison:      “I have done a couple of private workshops with Bill in Yosemite. It was incredible. First, his knowledge of the Yosemite area allowed him to put us in the right place at the right time throughout the day.  We moved through the valley with the light, not just to the well-known photo spots, but all over the place. I thought I knew the area quite well, but I discovered many new, hidden spots. We would find ourselves at the perfect spot over and over throughout the day. It was incredible. 
         We took different kinds of photos in different areas, from classic landscape shots to black ice photos, close-ups, impressions. It was magical. Bill helped me make subtle technical and positioning adjustments that made a big difference and brought my photography to a new level.
        The portfolio review was also useful, educational, and inspirational. I could not recommend these workshops more strongly.
Brad Rank:     “My personal workshop with William was a surprise birthday gift from my Wife.  At the time I was just starting with a DSLR, only a short time from upgrading from simply using an iPhone for my photography.   I learned from the internet, and there is so much advice as to equipment, settings, composition, etc.  It was overwhelming and I was concerned about having the “right” thing and being such a novice working with such a professional as William.    We started our day shooting at Tunnel View and he says to me to change my camera settings for “bracketing”, and I pulled out my manual.  I think he knew then what he was in store for in the day as there was no hiding my lack of experience, and I was bracing for his response.   In that moment, he had the ability to negatively or positively impact my relationship to photography.  He could have said I had the wrong equipment or that I’m unprepared, or many many things, but he choose patience,  he choose kindness, he taught.  As I got to know him better through the day, I realized that this wasn’t a choice, it’s just who he is; a great photographer, but also a great teacher.  I learned so much about photography that day and my confidence rose dramatically to not worry about the rules and the prescribed “noise” of what should be done.  However, the most impressive thing I learned was about the man, his vision, relationship to the natural world around him, and his joy to pay it forward from his experiences as well.  Whether a beginner or a professional you will learn something.

 

See this link to see details, instructional content options discounts for small groups or multiple day sessions:

Private Yosemite Sessions

Instructional Content Options

William teaches simple ways to capture quality images in order to focus more on your expressive vision. These methods are what he uses for his own photography. Potential topics to be covered include:

Improve your Creative Vision

Learn to see deeply, to convey your emotional connection with the subject

Exposure Techniques
Using Histograms, HDR, Long Exposures

Composition
How to create clean, well-balanced designs without distractions

Planning Your Photographic Sessions
When to photograph and where, weather and seasonal considerations

Photo Critiques of New and Previous Images
Learn about your strengths and areas for improvement in your prints and downloaded digital files from field sessions.

Digital Camera Workflow
Basic and Advanced Techniques in Adobe Lightroom and Photoshop

Photograph with William in Yosemite
Guidance while you photograph with in-field suggestions
Explore alternate perceptions and locations

Watch and ask questions as he selects and photographs Yosemite subjects.

Techniques in Impressionistic Photography
Learn how to create “light paintings” with intentional camera movement. William will demonstrate how he creates his Impressions of Light” photographs, and guide you with your efforts in the field.

 

Published by William Neill

William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in Nature. Neill's award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill received a BA degree in Environmental Conservation at the University of Colorado. In 1995, Neill received the Sierra Club's Ansel Adams Award for conservation photography. Neill's assignment and published credits include National Geographic, Smithsonian, Natural History, National Wildlife, Conde Nast Traveler, Gentlemen's Quarterly, Travel and Leisure, Wilderness, Sunset, Sierra and Outside magazines. Also, he writes a monthly column, On Landscape, for Outdoor Photographer magazine. Feature articles about his work have appeared in Life, Camera and Darkroom, Outdoor Photographer and Communication Arts, from whom he has also received five Awards of Excellence. His corporate clients have included Sony Japan, Bayer Corporation, Canon USA, Nike, Nikon, The Nature Company, Hewlett Packard, 3M, Freidrick Grohe, Neutrogena, Sony Music/Classical, University of Cincinnati, UBS Global Asset Management. His work was chosen to illustrate two special edition books published by The Nature Company, Rachel Carson's The Sense of Wonder and John Fowles's The Tree. His photographs were also published in a three book series on the art and science of natural process in collaboration with the Exploratorium Museum of San Francisco: By Nature's Design (Exploratorium / Chronicle Books, 1993), The Color of Nature (Exploratorium / Chronicle Books, 1996) and Traces of Time (Chronicle Books / Exploratorium, Fall 2000). A portfolio of his Yosemite photographs has been published entitled Yosemite: The Promise of Wildness (Yosemite Association, 1994) which received The Director's Award from the National Park Service. A retrospective monograph of his landscape photography entitled Landscapes Of The Spirit (Bulfinch Press/Little, Brown, 1997) relates his beliefs in the healing power of nature. William has taught photography since 1980 for such prestigious organizations as The Ansel Adams Gallery, the Friends of Photography, Palm Beach Photographic Workshops, The Maine Workshops and Anderson Ranch Workshops. He specializes in landscape and nature photography and is concerned with conveying the beauty seen in Nature. Currently, he teaches online courses for BetterPhoto.com and One-on-One Workshops in his home studio near Yosemite National Park.

3 replies on “Come join me for a private workshop session in Yosemite!”

  1. While many people know that I grew up in the Bay Area, few actually know of my historic ties to Yosemite. My great great grandfather was a man named William E. Colby and he was one of the original members of the Sierra Club with John Muir. Together, they worked hard to help protect Yosemite in the early 1900 s and when Muir passed away in 1914, William became the director of the Sierra Club, staying in the position for nearly 49 years before retiring. I feel this is part of the reason why Yosemite has always felt like home.

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