Antarctic Dreams – a developing portfolio Part Two

As many of you might have noticed, I returned three weeks ago from an amazing adventure:  Antarctica By Air – A Unique Luminous Landscape Photographic Workshop with Michael Reichmann and Kevin Raber.

Here is a set of ten new images.  In spite of all the energy I have been putting into editing and processing in the past three weeks, I am shocked and thrilled that I still have many strong images to “finish” and present to you.

I would enjoy your comments and feedback on this selection.  When I have another set of newly processed images, I will let you know!  Also, as new images are created, I am adding them to my Facebook pageGoogle+ or 500px.

Enjoy, and if you Like, please Share!


Ancient crystal Iceberg, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/750 second at f/16, ISO 1600

 


Glowing Glacier, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/8000 second at f/11, ISO 1600

 


Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/3000 second at f/11, ISO 800

 


Icebergs and Sunset, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/3000 second at f/5.6, ISO 800

 


Mountain and Iceberg at Twilight, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/500 second at f/5.6, ISO 400

 


Iceberg Detail, Pléneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/350 second at f/9.5, ISO 400

 


Iceberg Arch, Pléneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/500 second at f/9.5, ISO 400

 


Cliffs and Glaciers at Sunrise, Neumayer Channel, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/750 second at f/11, ISO 500

 


Icebergs, Neumayer Channel, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/250 second at f/19, ISO 500

 


Mountains and Glaciers, Scontorp Cove in Paradise Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/1500 second at f/16, ISO 800

Published by William Neill

William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in Nature. Neill's award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill received a BA degree in Environmental Conservation at the University of Colorado. In 1995, Neill received the Sierra Club's Ansel Adams Award for conservation photography. Neill's assignment and published credits include National Geographic, Smithsonian, Natural History, National Wildlife, Conde Nast Traveler, Gentlemen's Quarterly, Travel and Leisure, Wilderness, Sunset, Sierra and Outside magazines. Also, he writes a monthly column, On Landscape, for Outdoor Photographer magazine. Feature articles about his work have appeared in Life, Camera and Darkroom, Outdoor Photographer and Communication Arts, from whom he has also received five Awards of Excellence. His corporate clients have included Sony Japan, Bayer Corporation, Canon USA, Nike, Nikon, The Nature Company, Hewlett Packard, 3M, Freidrick Grohe, Neutrogena, Sony Music/Classical, University of Cincinnati, UBS Global Asset Management. His work was chosen to illustrate two special edition books published by The Nature Company, Rachel Carson's The Sense of Wonder and John Fowles's The Tree. His photographs were also published in a three book series on the art and science of natural process in collaboration with the Exploratorium Museum of San Francisco: By Nature's Design (Exploratorium / Chronicle Books, 1993), The Color of Nature (Exploratorium / Chronicle Books, 1996) and Traces of Time (Chronicle Books / Exploratorium, Fall 2000). A portfolio of his Yosemite photographs has been published entitled Yosemite: The Promise of Wildness (Yosemite Association, 1994) which received The Director's Award from the National Park Service. A retrospective monograph of his landscape photography entitled Landscapes Of The Spirit (Bulfinch Press/Little, Brown, 1997) relates his beliefs in the healing power of nature. William has taught photography since 1980 for such prestigious organizations as The Ansel Adams Gallery, the Friends of Photography, Palm Beach Photographic Workshops, The Maine Workshops and Anderson Ranch Workshops. He specializes in landscape and nature photography and is concerned with conveying the beauty seen in Nature. Currently, he teaches online courses for BetterPhoto.com and One-on-One Workshops in his home studio near Yosemite National Park.

5 replies on “Antarctic Dreams – a developing portfolio Part Two”

  1. I am deeply impressed by your photos from this remote and magic place on Earth. Can’t stop lokking at them 🙂
    Thank you. And thanks to Otto (“In Flow”) for leading me here!

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