New Work from Olympic National Park

July 19th, 2014


Seastacks at Sunset, Rialto Beach, Olympic National Park. Washington 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
3 second at f/22, ISO 100

I recently returned from a family vacation to the Pacific Northwest. We visited family and friends in Ashland, Portland and Bellingham in Washington.  In between, we visited Olympic National Park where I hadn’t photographed since 1996 and managed to squeeze in some photo sessions.  The first two images I made during an evening trek on Rialto Beach.  The tide was high, which required me to do a lot of wave dodging and climbing around, over and under driftwood to avoid the waves.  After seeing no clouds all day, the marine layer brought great excitement to the sunset!

Early the next morning it remained overcast on my trip to the Hoh Rain Forest, giving me the soft light I was hoping for.  I walked two of the NPS nature trails, relishing the quiet peace of the lush forest, finding a few photographs along the way.  Like I’ve done for the past forty years, I found sanctuary in Nature, even if for a brief couple of hours.  My photographs come from the deep love I have for those moments.  And from the sense of wonder for what I’ve seen.

Enjoy!  Please add your comments here, share any summer vacation stories or photos.    Let me know which image here is your favorite.

 


Rialto Beach at sunset, Olympic National Park. Washington 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/60 second at f/22, ISO 100

 


Alder Forest, Hoh River Valley, Olympic National Park. Washington 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L USM,
1/20 second at f/11, ISO 320

 


Ferns, Hoh Rain Forest, Olympic National Park, Washington 2014
Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM,
15 second at f/19, ISO 100

 


Hoh Rain Forest, Olympic National Park, Washington 2014
Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM,
2 second at f/22, ISO 320

 


Ferns, Hoh Rain Forest, Olympic National Park, Washington 2014
Canon EOS 5D Mark III, EF16-35mm f/2.8L II USM,
15 second at f/19, ISO 100

 


Avalanche Lily, Hurricane Ridge. Olympic National Park, Washington 2014
iPhone 5
Copyright © 2014 William Neill

 

 

Return to the Field of Possibilities

June 26th, 2014
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Corn Lilies, Summit Meadow, Yosemite National Park, California 2014

Last week, I spent four days filming an interview with the crew from The Luminous Landscape website.  For years, they have offered excellent videos such as the Luminous Landscape Video Journal which features interviews with photographers such as Jay Maisel, Art Wolfe, Charlie Cramer, Bill Atkinson, and Jack Dykinga: Luminous Landscape Store.  They are launching a new series called Seeing with the Masters, for which my interview is the first. Luminous Landscape also ran the Antarctica photographic adventure for which I was an instructor early this year.  To learn about this ultimate journey, see Antarctica 2014 – A Most Amazing Trip. I plan on returning to Antarctic in 2016 with Luminous Landscape! I am also a contributor to the site with a series of essays: Essays by William Neill.

One location I had to share was my favorite meadow along the Glacier Point Road.  Here I found this above group of corn lilies.  In order to find a high, downward view, I had to jump up on two fallen logs, balance my tripod to aim down to capture this pattern.  This high-angled view also allowed me to find another image, shown below.

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Last year, I photographed in the same meadow, and wrote the following article for my Outdoor Photographer “On Landscape” column.  Enjoy and share!

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Field Of Possibilities

Using technology like focus stacking, William Neill creates an otherworldly photo of a roadside subject

Corn Lily Leaves, Yosemite National Park, California  2013

Corn Lily Leaves, Yosemite National Park, California 2013

Canon EOS-1Ds Mark III, EF 50mm ƒ/2.5 Compact Macro, five frames at ƒ/11, ISO 200, focus stacking by Zerene Stacker.

“To see a World in a
Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour…” —William Blake

One of the main dilemmas for nature photographers is how to frame an image. The choice of camera position and lens angle greatly affects the image design. Nature often provides us with chaotic lines, shapes and colors from which we must distill and extract the essence of our subject. What we include in the frame, as well as what we exclude, is a key factor in the success of our compositions.

I was in Yosemite National Park recently photographing one of my favorite subjects, corn lilies. Returning to a favorite patch, I was happy to see they were still fresh green in spite of recent hot weather. The leaves were covered with pollen and a light rainfall added some water drops. The wind was blowing, which meant the leaves rarely held still for my camera. On top of that, the best camera position was on the shoulder of the road, with tons of traffic moving the plants as it zoomed past a few feet away.

I tried dozens of framings, using a 24mm tilt-shift, 90mm tilt-shift and 50mm macro. The black-and-white photograph was made using my macro lens [left]. The depth of these leaves was too great to capture, so I tried a simple, but effective application called Zerene Stacker. I exposed five frames, focusing the nearest edge of the leaf, and incrementally turned my macro focus slightly until I had focused on the deepest area of corn lily. Then, I added those five files to the software, which created an image with good sharpness throughout the field of view. While processing the final image, I adjusted the contrast and density to make the spots of pollen and leaf lines stand out.

From my past experiences, I was a little late for most of the corn lilies since they had grown tall, making it difficult to aim downward where the leaf patterns are most strongly visible. Also, other plants in amongst them made for a difficult composition to simplify. I usually prefer to zoom in tightly for a very graphic portrayal. In the wider composition shown here [below], I chose to embrace the chaos by using my 24mm tilt-shift lens. The tilt-shift function helped me retain focus from front to back of the subject area, just like I often did with my 4×5 camera while still using a fast enough shutter speed. I shuffled my location around, trying to find a pleasing and well-balanced pattern in the lush vegetation.

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Field of Corn Lily Leaves, Yosemite National Park, California 2013

While creating the black-and-white corn lily image, I clearly remembered one of Paul Caponigro’s finest and most famous photographs. It’s a photograph of an apple that reminds most who see it of a galaxy of stars. I happily acknowledge that inspiration. You can read John Paul Caponigro’s blog post (Paul Caponigro’s son) at www.johnpaulcaponigro.com/blog/7846/masterworks-in-my-collection-paul-caponigro-apple-new-york-city-1964/. I highly recommend that you visit the link or Google to see the image! As I photographed the corn lily, time vanished. Wind, rain showers and sunbeams came and went. I waited for still moments in the wind and for breaks in the traffic. I hid from the mosquitoes inside my parka hood and slapped away the ones that broke through my defenses. In spite of the challenges, I was “in the zone,” blissfully focused on the beauty I saw and felt, and on finding ways to convey it all photographically. Before I knew it, I had spent two-and-a-half hours photographing within a 10-foot section along the road and made over 200 images. That’s my job, and I felt blessed. As I drove home, I was greeted by the most amazing sunset, with golden light shining through pouring rain accented by red clouds. As the rain drenched me, I howled loudly simply for the joy of it all!
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William Neill, an American photographer and resident of the Yosemite National Park area since 1977, is a renowned nature and landscape photographer. Neill’s award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill has received the Sierra Club’s Ansel Adams Award for conservation photography.

He is the photographic author of many books including The Sense of Wonder, The Tree, By Nature’s Design, The Color of Nature  and Traces of Time. A portfolio of his Yosemite photographs has been published Yosemite: The Promise of Wildness and a retrospective monograph of his landscape photography entitled Landscapes Of The Spirit

To learn about William Neill‘s one-on-one Yosemite workshops, ebooks and iPad app, see his latest images and learn about his online courses with BetterPhoto.com, visit www.williamneill.com.

If you like this post, please sign up HERE to receive the latest updates to my Light on the Landscape Photoblog.

A thank you gift for following my photography!

May 12th, 2014

As a thank you gift for following my photography and signing up for my eNewsletter, I want to give you a $5 discount on my ebook Collection, normally a $15 value.  Sign up in the box to the right, and your discount code will be sent to you.

I will be posting more articles and images to my blog, so stay tuned in!  I am working on a new ebook of my Antarctic Dreams photographs, processing new Impressions of Light image and more…

Thanks again,  Bill

High quality PDF eBooks by William Neill

Antarctic Dreams essay in Outdoor Photographer Magazine

March 27th, 2014
My latest Outdoor Photographer column has been posted to their website:

Antarctic Dreams The exhilaration of being out of the comfort zone

Enjoy and please share!

Iceberg Arch, Pléneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/500 second at f/9.5, ISO 400

Antarctic Dreams – a developing portfolio Part Three

March 25th, 2014

Here is the latest images from my recent trip to Antarctica…

Enjoy!


Glacier and Cloud Shadows, Bransfield Strait, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/3000 second at f/13, ISO 800
Copyright © 2014 William Neill

 


Solar Halo over the Bransfield Strait, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/8000 second at f/13, ISO 400
Copyright © 2014 William Neill

 


Morning light, Gerlache Strait, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/1000 second at f/11, ISO 1600

 


Early morning light, Antarctic Peninsula, Antarctica
January 29, 2014 06:18:31
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/750 second at f/11, ISO 1600

 


Humpback whale breeching, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/1000 second at f/9.5, ISO 1600

 


Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/350 second at f/16, ISO 1000

 


Chinstrap Penguin, Hydrurga Rocks, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/8000 second at f/13, ISO 800

 


Iceberg Formation, Pléneau Bay, Antarctic Peninsula 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/350 second at f/8, ISO 400

 


Adelie Penguins, Yalour Islands, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1000 second at f/11, ISO 400

 


Sculpted Iceberg Wall, Pléneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/2000 second at f/13, ISO 400

 


Iceberg at Sunset, Pléneau Bay, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/350 second at f/13, ISO 800

 


Icebergs at Sunset, Pléneau Bay, Antarctic Peninsula, Antarctica 2014 January 30, 2014 22:04:34
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM,
1/1500 second at f/4.5, ISO 800

 


Rolling iceberg, Scontorp Cove in Paradise Bay, Antarctic Peninsia, Antarctica 2014
Canon EOS 5D Mark III, EF24-105mm f/4L IS USM,
1/250 second at f/19, ISO 400

 


Glaciers, Scontorp Cove in Paradise Bay, Antarctic Peninsia, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +1.4x III,
1/1500 second at f/19, ISO 800

 


Gentoo Penguin and two chicks, Cuverville Island, Antarctic Peninsula, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/1500 second at f/5.6, ISO 400

 


Chinstrap Penguins, Baily Head on Deception Island, Antarctica 2014
Canon EOS 5D Mark III, EF70-200mm f/2.8L IS II USM +2x III,
1/350 second at f/16, ISO 800