William Neill Photography from 1996

September 17th, 2014

We have now moved on to 1996 in Celebrating 30 Years of my business.  1995 is a hard year to top, but here we go anyway!

To read my full post, see my 7 images selected and add your comments, please visit:
http://www.williamneill.com/blog/index.php/2014/09/celebrating-30-years-1996/

The photographs here reflect my travels that year, including a spring trip to New England to work on a New England book of my landscape photography.  Sadly, the publisher pulled my contract before I could finish.  I also photographed a major assignment for Canon USA’s corporate calendar for 1997 with the theme on national parks which took me to Texas, Kentucky, Florida and Colorado besides California locations.

Enjoy, and please Share if you Like!  All photographs created with a Wista 4×5 field camera, and 4×5 inch transparency film.

#landscapephotography #nationalpark #largeformatphotography


Half Dome and Tenaya Canyon at sunset from Washburn Point, Yosemite National Park, California 1996
Copyright © 1996 William Neill

 


Mt. Dana and Mt. Gibbs reflected in the Tuolumne River at sunset, Yosemite National Park, California 1996
Copyright © 1996 William Neill

 


Kelp, MacKerricher State Beach, California, 1996
Copyright © 1996 William Neill

 


Clearing storm at dawn, Santa Rosa Island, Gulf Islands National Seashore, Florida 1996
Copyright © 1996 William Neill

 


Birches and mist, White Mountains, New Hampshire 1996
Copyright © 1996 William Neill

 


Veratrum, Granville Gulf State Park, Green Mountains, Vermont
Copyright © 1996 William Neill

 

Incense cedars with snow, Yosemite Valley, Yosemite National Park, California  1996
Copyright © 1996 William Neill

 

Celebrating 30 Years – 1995

September 15th, 2014

My “Celebrating 30 Years” project moves on to the year 1995.  A few days after Labor Day in 1984, I quit my job as Photographer at The Ansel Adams Gallery, making the leap of faith to start my own business William Neill Photography.  In the process of posting a few images from each year, I am gaining a tremendous perspective on my efforts and successes as my work evolved.  The excitement has built up each time I have searched my massive Lightroom catalog for the next year’s selection.  Below, I have posted eleven images from 1995, and as I do so, I wonder if I will ever have such a spectacular year again!  I was 41, happily married, had been published in four books featuring my work and traveling often to teach workshops.  I was also working on a second book for the Exploratorium Museum and Chronicle Books called The Color of Nature.  My wife and I took to extended camping trips to the deserts of Utah, and to the Canadian Rockies and Glacier National Park as you can see in the images below.  We also traveled to the east coast, shown by two photographs below taken in Maine.

My favorite photograph, and happily my best-selling fine print is the first image shown below:  Dawn, Lake Louise, Banff National Park, Canada 1995.  Only 15 prints remain in the Limited Edition of 150.

Enjoy, and please add your comments below.  All photographs created with a Wista 4×5 field camera, and 4×5 inch transparency film.

Thanks,  Bill

William Neill Books
http://www.williamneill.com/store/books/index.html

 

 


Dawn, Lake Louise, Banff National Park, Canada 1995

 


Sunrise storm clouds, St. Mary Lake, Glacier National Park, Montana 1995

 


Rock formations and surf at twilight, Big Sur, California 1995

 


Trees growing on moss-covered boulders, Baxter State Park, Maine 1995

 


Autumn Forest, Baxter State Park, Maine

 


Striated wall of an ice cave, Jasper National Park, Alberta, Canada 1995

 


Tangle Falls, Jasper National Park, Alberta, Canada

 


Pine tree and sandstone cliff, Zion National Park, Utah 1995

 


Eroded sandstone, Capitol Gorge, Capitol Reef National Park, Utah

 


Buttes and storm clouds over the Green River, Canyonlands National Park, Utah 1995

 


Cliffs at Convict Lake, winter, Inyo National Forest, California 1995

 

 

Celebrating 30 Years of William Neill Photography

September 8th, 2014

For those of you who don’t follow my Facebook page, last week I stared a series of posts called  Celebrating 30 Years of William Neill Photography.  The idea was to post one image from each of those 30 years of photographs.  I pride myself in being a tough editor of my own work, so that only my strongest work is “released” into the world.  When seeing several equally favorite photographs in one year, I’ve opened up my editing to share a few more images from each year.

The series here were all made with my Wista 4×5 metal field camera, with 4×5 inch color transparency film in 1991.  I have never organized my large format work by year before, and I must say it has been very rewarding to see as a reward for three decades of dedication, hard work and the joy of reconnecting to my visual discoveries!

Enjoy and please share with your friends.

Stay tuned for more, and please feel free to add comments below.

Kind regards,  Bill


Redbud and dogwood, Great Smoky Mountains National Park, Tennessee 1991
Copyright © 2009 William Neill

 


Redbud in fog, Great Smoky Mountains National Park, North Carolina 1991
Copyright © 2014 William Neill

 


Forest leafing out in early spring, Great Smoky Mountains National Park, Tennessee 1991
Copyright © 2012 William Neill

 


Agave parryi, Huntington Botanical Gardens, San Marino, California 1991
Copyright © 2014 William Neill

 


Twilight surf, Big Sur Coast, California 1991
Copyright © 2014 William Neill

 


Mammoth Peak and Kuna Crest from Tioga Tarns, Yosemite National Park, California 1991
Copyright © 2014 William Neill

 


Spruce forest in fog, Green Mountain National Forest, Vermont  1991
Copyright © 2014 William Neill

 


King’s Pond with morning mist, Green Mountain National Forest, Vermont 1991
Copyright © 2014 William Neill

From The Ansel Adams Gallery – Unique Offer in Fine Art Photography by William Neill

August 4th, 2014
Blue Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica January 29th, 2014 09:42:19

Blue Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica January 29th, 2014 09:42:19

Greetings from the Sierra Nevada,

I am happy to announce that The Ansel Adams Gallery is offering three of my images in their latest “Unique Offer in Fine Art Photography.”

The Unique Opportunity The Ansel Adams Gallery is thrilled to offer its collectors, friends and fellow art lovers, a chance to participate in a unique opportunity. From time to time on our website, we will be featuring a never-before-printed, hand-made image from one of our distinguished Gallery artists at a discounted price, prior to its availability within the general market place. This month, we have arranged to present three 16”x24” images from William Neill: two images from the photogenic landscape of Yosemite, “Winter Twilight over Half Dome, Yosemite,” and “Raindrops and Pollen on Corn Lilly Leaves, Yosemite,” both in an edition of 75, with the third in honor of his recent trip to another unique photographic frontier titled “Blue Icebergs, Cierva Cove, Antarctic Peninsula,” in an edition of only 30. While Bill’s original 16”x24” prints normally range in price up to $3,000, you can now add one to your private collection for 25% off the initial retail price. Each photograph is made by Mr. Neill, printed to current archival standards, signed and numbered, as well as mounted, matted and ready for framing. The time to purchase will begin at 9:00 AM Pacific Time on Monday, August 4th, and will expire upon the close of business, Sunday, August 10th at 6:00 PM.Once the offer has expired, we anticipate an order fulfillment time of approximately four weeks to ensure the quality of each individual order. This inaugural printing offer is available for a very limited time, after which, the print will return to full price.

Email our curator, Evan Russel, at evan@anseladams.com if you have any additional questions about the prints or shipping.

 

The Story of the Images – text by William Neill

Winter Twilight over Half Dome, Yosemite National Park, California 2012 by William Neill

  Winter Twilight over Half Dome, Yosemite National Park, California
© William Neill, All rights reserved (text by William Neill)

Yosemite Valley after a fresh snowfall is one of the most beautiful places on earth. I’ve been photographing for 38 years in the national park, and winter is my favorite season. Taken after a late December snowfall, I was lucky enough to arrive at Tunnel View with great light and snow still sticking to the trees. Although more dramatic light occurred earlier this evening, I preferred these more subtle colors of twilight. While I have often avoided photographing the icons, focusing in on more intimate views of Yosemite, I am still entranced by the epic landscape of soaring cliffs.
To purchase, please click here.

 

Raindrops and Pollen on Corn Lily Leaves, Yosemite National Park, California 2013

Raindrops and Pollen on Corn Lily Leaves, Yosemite National Park, California 2013

Raindrops and Pollen on Corn Lilly Leaves, Yosemite National Park, California 2013
© William Neill. All rights reserved (text by William Neill)

Patterns in nature have been a major theme of my photography for decades. When the corn lily plants spread their leaves during high country summers, I search for dense patterns of leaves like these to photograph. Living nearby, I timed my arrival in hopes of rain from an approaching thunderstorm. The rain drops combined with pollen to form a galaxy of water beads which heightened the magic of these leaves and their patterns. Processed as a Black and White image, I feel that the graphical pattern and mysterious field of possibilities shine through.
To purchase, please click here.

 

 

Blue Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica January 29th, 2014 09:42:19

Blue Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica January 29th, 2014 09:42:19

Blue Icebergs, Cierva Cove, Antarctic Peninsula, Antarctica January 29th, 2014 09:42:19
© William Neill. All rights reserved (text by William Neill)

On my recent trip to the Antarctic Peninsula, our group floated in Zodiac boats through sculpture gardens of ancient ice. The deeper the blues, the older is the ice. The crystalline icebergs glowed like magic in the morning light, revealing the patterns of weather and waves. It was especially challenging to compose precisely while moving, requiring speed in terms of focus, analyzing exposures that constantly changed, and timing to capture good spacing and compositions. It was a spectacular journey. A sweet Antarctic dream.
To purchase, please click here.

Story of the Artist
William Neill has been photographing continuously in his backyard of Yosemite National Park since 1977. Reared in California and Virginia, and educated at the University of Colorado (BA in Environmental Conservation, 1976), he has found his balance in the Sierra Nevada . In the early 1980s, he served as staff photographer at The Ansel Adams Gallery, where he was introduced to the work of Ansel Adams and other fine art photographers. The natural environment and spirit of Yosemite remains the constant inspiration for Neill. He pays special attention to the intimate detail and design of nature. His elegant color photographs celebrate the magic of our natural world.

“The reason I photograph is to experience the beauty of nature, of wild places. I explore the essential elements of rock and tree, of cloud and rushing water to discover the magic and mystery of the landscape. It is the spirit of the land I seek to reveal in my images.

“Photography is a quiet, meditative activity for me. I enjoy isolating the details of a scene. By creating photographs where the content or orientation is not obvious, an intimate and enigmatic feeling can come through. I enjoy making an image that asks a question, one that intrigues and arouses curiosity in the viewer.” He is the photographic author of many books including The Sense of Wonder, The Tree,By Nature’s DesignThe Color of Nature and Traces of Time. A portfolio of his Yosemite photographs has been published Yosemite: The Promise of Wildness as well as a retrospective monograph of his landscape photography entitled Landscapes Of The Spirit. In 1995, the Sierra Club honored Neill with the Ansel Adams Award for conservation photography. Also, he writes a monthly column, On Landscape, for Outdoor Photographermagazine. Neill’s assignment and published credits include National Geographic Special Publications, Smithsonian, Conde Nast Traveler, Gentlemen’s Quarterly, Travel & Leisure, Wilderness, Sunset, Vogue, Sierra and Outside magazines. Feature articles about his work have appeared in Life, Camera and Darkroom, American Photo, Photographer’s Forum, Outdoor Photographer and Communication Arts, from whom he has received four Awards of Excellence. Neill’s fine limited edition prints have been collected and exhibited nationally. Bill Neill resides with his wife, Sahdna, and their children in Oakhurst, California.

Please be sure to view more of William Neill’s photographs at http://www.williamneill.com/as well as at the Gallery’s site, www.anseladams.com

What You Need to Know

August 1st, 2014
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Clearing Autumn Storm, Yosemite National Park, California, 2013

Here is my most recent On Landscape column published in Outdoor Photographer. I have added a few other images from October 28, 2013 to give you a broader sense of the epic quality of the day,  I would love to hear feedback on your favorite images, and share links to any “epic day” images you wish to share!
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This is the golden age of information. Photographers have access to endless amounts of guides, tutorials, ebooks and websites about making perfect photographs, any kind of photograph, and that includes landscape photographs. Need to learn techniques for composing, exposing or postprocessing your images? Many sources are available, offered by excellent photographers and teachers. Outdoor Photographer covers those subjects in depth, in the magazine and on the website, leading the way forward since 1985. Need to know where to photograph and when at a new location? With a smartphone, you can learn where to stand, as well as the sunrise/sunset times so you know how early to set your alarm—no exploration or scouting needed!

My own photographic path started in the “old days,” with 35mm film cameras in the 1970s. Then I used a 4×5 view camera and sheet film for 25 years. I began making digital prints in 1994, and since 2005, have switched entirely to digital capture. My digital skills have evolved slowly, steadily into a simple, but effective toolset. When I can’t make my images say what I want them to say, when lack of technique is blocking my artistic expression, I update my skill set. I learn more. But in those early years, I made some very strong images with very little knowledge of technique.

With all of this in mind, a question has been bouncing around my head: How much does a photographer need to know before he or she can make a great photograph? The focus on consuming every possible technique drives me crazy sometimes, or maybe I’m just lazy! Seriously, the way I stay creative is to keep it simple. If my mind is too full of tech thoughts, they get in my way.

Autumn Oaks and Snowstorm, El Capitan Meadow, Yosemite National Park, California, 2013

Autumn Oaks and Snowstorm, El Capitan Meadow, Yosemite National Park, California, 2013

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Dogwood Leaves, Yosemite National Park, California 2013

Last fall, I worked with a student from Hawaii who had never been to Yosemite before. The autumn color was peaking, especially the oaks and maples. A storm was coming the morning we started. The forecast was for a rainy day, but I looked forward to taking advantage of the soft light to photograph the saturated colors and patterns of autumn leaves. A strong wind that night had brought down most of the yellow maple leaves, covering the forest floor, especially at Fern Springs. Our workshop was off to a great start, but then it began to pour, so we decided to wait out the rain over breakfast at the Lodge. As we sat, we were thrilled to see that it started to snow! A few gulps later, we were out the door.

One of our first stops was El Capitan Meadow, where we photographed golden oak leaves in the snowstorm. I helped Sean work out his compositions and made sure he tried various shutter speeds. As with moving water, each change in shutter speed conveys a slightly different effect, with blurring or freezing the rapidly falling snowflakes. I showed him how to create panoramic images like “Autumn Oaks and Snowstorm” using multiple frames to stitch in Photoshop.

The conditions were thrilling, and next I found a deep-red dogwood tree with snow gathering on the leaves. I helped him find the best angles for simple and clear image designs. My instructions were simple, such as improving his camera angle and helping him find the right balance between shutter speed and aperture.

Soon the clouds began to clear, so we headed to Tunnel View. Looking east at El Capitan and Half Dome, snow had dusted the trees and cliffs, with dramatic clouds hanging around the cliffs. We immediately set up before the classic view. He had never photographed at Tunnel View before! I suggested to Sean that he visualize postprocessing this image as a black-and-white photo, which could heighten the forms of clouds and cliffs. This approach worked out very well for him for his final rendition of this scene.

As he photographed, I turned around to simply enjoy the clearing storm. To my pleasant surprise, I saw the magnificent conditions so sought after by photographers at Tunnel View when looking east during sunrise or sunset. The nearby cliffs, not the iconic view, were beautifully backlit and shrouded with clouds, beams of sun streaming through the mist. The light was changing quickly, so we had little time to think or analyze. We worked on this new composition thoroughly, watching his histograms carefully in the brilliant and rapidly changing light. I’ve included my own version in this article.

How much does a photographer need to know before he or she can make a great photograph? The focus on consuming every possible technique drives me crazy sometimes, or maybe I’m just lazy! Seriously, the way I stay creative is to keep it simple. If my mind is too full of tech thoughts, they get in my way.
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Autumn Sunset, El Capitan and the Merced River, Yosemite National Park, California 2013

Cottonwood leaves and cloud reflections, Merced River, Yosemite National Park, California  2013

Cottonwood leaves and cloud reflections, Merced River, Yosemite National Park, California 2013

Snowflakes and cedars, Yosemite Lodge, Yosemite National Park, California  2013

Snowflakes and cedars, Yosemite Lodge, Yosemite National Park, California 2013

The day continued with more spectacular photography of both intimate details and grand views, focusing on the experience and the basics of making good exposures: clean design and great light. We had the next day’s session to analyze, delve into technical issues and discuss post-processing options. To summarize, Sean had an epic first day in Yosemite. The question remains: How much do we need to know? Hunger for more knowledge and better technique is a good thing. Sure, spend hours in front of your computer editing your images. But when you feel the inspiration, whether in front of a grand landscape or a flower in your backyard, let go of the rules and regulations, and embrace the Beauty. Be in the moment. Connect with your senses. Art will come through your emotions when most intense.
On that October day, all we “needed to know” was that we were there to see it.

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William Neill, an American photographer and resident of the Yosemite National Park area since 1977, is a renowned nature and landscape photographer. Neill’s award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill has received the Sierra Club’s Ansel Adams Award for conservation photography.

He is the photographic author of many books including The Sense of Wonder, The Tree,  By Nature’s Design,  The Color of Nature  and  Traces of Time.  A portfolio of his Yosemite photographs has been published Yosemite: The Promise of Wildness and a retrospective monograph of his landscape photography entitled Landscapes Of The Spirit

To learn about William Neill‘s one-on-one Yosemite workshops, ebooks and iPad app, see his latest images and learn about his online courses with BetterPhoto.com, visit www.williamneill.com. If you like this post, please sign up HERE to receive the latest updates to my Light on the Landscape Photoblog.